Energy Flash  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

"I remember the two records I learned how to mix with: David Bowie's “Fashion”, and Edwin Birdsong's “Rapper Dapper Snapper”. I had to mix those records for weeks, with Juan, like, in my ass, every time I fucked up!'" --Derrick May cited in Energy Flash (1998) by Simon Reynolds


"On the Detroit dance party circuit, you would also hear electro-funk from New York, labels like West End and Prelude, artists like Sharon Redd, Taana Gardner, the Peech Boys and Was (Not Was); English New Romantic and European synth-pop artists like Visage, Yello, Telex, Yazoo, Ultravox; and American New Wave from The B52's, Devo and Talking Heads."--Energy Flash (1998) by Simon Reynolds


Related e

Wikipedia
Wiktionary
Shop


Featured:

Energy Flash: A Journey Through Rave Music and Dance Culture (1998), alternatively titled Generation Ecstasy, is a music history book by Simon Reynolds which was updated several times.

Its topic is drug culture and its relationship to and effect on music. Reynolds traces the effects of drugs on the ups and downs of the rave scene, and music by the likes of Bandulu. The title of the book echoes Joey Beltram's single "Energy Flash".

The book was updated in January 2008. It coined terms such as neurofunk.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Energy Flash" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools