Edward Albee  

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"George who is out somewhere there in the dark... George who is good to me, and whom I revile; who understands me, and whom I push off; who can make me laugh, and I choke it back in my throat; who can hold me, at night, so that it's warm, and whom I will bite so there's blood; who keeps learning the games we play as quickly as I can change the rules; who can make me happy and I do not wish to be happy, and yes I do wish to be happy. George and Martha: sad, sad, sad... whom I will not forgive for having come to rest; for having seen me and having said: yes; this will do; who has made the hideous, the hurting, the insulting mistake of loving me and must be punished for it. George and Martha: sad, sad, sad... who tolerates, which is intolerable; who is kind, which is cruel; who understands, which is beyond comprehension..."--Martha in Who's Afraid of Virginia Woolf?

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Kunstformen der Natur (1904) by Ernst Haeckel
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Kunstformen der Natur (1904) by Ernst Haeckel

Edward Franklin Albee III (March 12, 1928 – September 16, 2016) was an American playwright known for works such as The Zoo Story (1958), The Sandbox (1959), and Who's Afraid of Virginia Woolf? (1962). His works are often considered as well-crafted, realistic examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco and Jean Genet. Younger American playwrights, such as Paula Vogel, credit Albee's daring mix of theatricality and biting dialogue with helping to reinvent the post-war American theatre in the early 1960s. Later in his life, Albee continued to experiment in works such as The Goat, or Who Is Sylvia? (2002).




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