Normandy  

From The Art and Popular Culture Encyclopedia

D-Day (1944)
# June 6, 1944, the date during World War II when the Allies invaded western Europe. # The date of any major event planned for the future.

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Normandy is an historical region and former province of Northwest France on the English Channell, divided into the regions Haute-Normandie and Basse-Normandie. Its beaches were the site of Allied landings on D-Day (June 6, 1944).

Culture

Literature

The dukes of Normandy commissioned and inspired epic literature to record and legitimise their rule. Wace, Orderic Vitalis and Stephen of Rouen were among those who wrote in the service of the dukes. After the division of 1204, French literature provided the model for the development of literature in Normandy. Olivier Basselin wrote of the Vaux de Vire, the origin of literary vaudeville. Among notable Norman writers in French are Jean Marot, Rémy Belleau, Guy de Maupassant, Jules Barbey d'Aurevilly, Gustave Flaubert, Octave Mirbeau, and Remy de Gourmont, and Alexis de Tocqueville. The Corneille brothers, Pierre and Thomas, born in Rouen, were great figures of French classical literature.

David Ferrand (1591–1660) in his Muse Normande established a landmark of Norman language literature. In the 16th and 17th centuries, the workers and merchants of Rouen established a tradition of polemical and satirical literature in a form of language called the parler purin. At the end of the 18th century and beginning of the 19th century a new movement arose in the Channel Islands, led by writers such as George Métivier, which sparked a literary renaissance on the Norman mainland. In exile in Jersey and then Guernsey, Victor Hugo took an interest in the vernacular literature. Les Travailleurs de la mer is a well-known novel by Hugo set in the Channel Islands. The boom in insular literature in the early 19th century encouraged production especially in La Hague and around Cherbourg, where Alfred Rossel, Louis Beuve and Côtis-Capel became active. The typical medium for literary expression in Norman has traditionally been newspaper columns and almanacs. The novel Zabeth by André Louis which appeared in 1969 was the first novel published in Norman.

Painting

Normandy has a rich tradition of painting and gave to France some of its most important artists.

In the 17th century some major French painters were Normans like Nicolas Poussin, born in Les Andelys and Jean Jouvenet.

Romanticism drew painters to the Channel coasts of Normandy. Richard Parkes Bonington and J. M. W. Turner crossed the Channel from Great Britain, attracted by the light and landscapes. Théodore Géricault, a native of Rouen, was a notable figure in the Romantic movement, its famous Radeau de la Méduse being considered come the breakthrough of pictorial romanticism in France when it was officially presented at the 1819 Salon. The competing Realist tendency was represented by Jean-François Millet, a native of La Hague. The landscape painter Eugène Boudin, born in Honfleur, was a determining influence on the impressionnists and was highly considered by Monet.

Breaking away from the more formalised and classical themes of the early part of the 19th century, Impressionist painters preferred to paint outdoors, in natural light, and to concentrate on landscapes, towns and scenes of daily life. Leader of the movement and father of modern painting, Claude Monet is perhaps one of the best known Impressionists and a major character in Normandy's artistic heritage. His house and gardens at Giverny are one of the region's major tourist sites, much visited for their beauty and their water lilies, as well as for their importance to Monet's artistic inspiration. Normandy was at the heart of his creation, from the paintings of Rouen's cathedral to the famous depictions of the cliffs at Etretat, the beach and port at Fécamp and the sunrise at Le Havre. It was Impression, Sunrise, Monet's painting of Le Havre, that led to the movement being dubbed Impressionism. After Monet, all the main avant-garde painters of the 1870s and 1880s came to Normandy to paint its landscapes and its changing lights, concentrating along the Seine valley and the Norman coast.

Landscapes and scenes of daily life were also immortalised on canvas by artists such as William Turner, Gustave Courbet, the Honfleur born Eugène Boudin, Camille Pissarro, Alfred Sisley, Auguste Renoir, Gustave Caillebotte, Paul Gauguin, Georges Seurat, Paul Signac, Pierre Bonnard, Georges Braque and Pablo Picasso. While Monet's work adorns galleries and collections all over the world, a remarkable quantity of Impressionist works can be found in galleries throughout Normandy, such as the Museum of Fine Arts in Rouen, the Musée Eugène Boudin in Honfleur or the André Malraux Museum in Le Havre.

Maurice Denis, one of the leaders and theoricists of the Nabis movement in the 1890s, was a native of Granville, in the Manche department.

The Société Normande de Peinture Moderne was founded in 1909 by Pierre Dumont, Robert Antoine Pinchon, Yvonne Barbier and Eugène Tirvert. Among members were Raoul Dufy, a native of Le Havre, Albert Marquet, Francis Picabia and Maurice Utrillo. Also in this movement were the Duchamp brothers, Jacques Villon and Marcel Duchamp, considered one of the father of modern art, also natives of Normandy. Jean Dubuffet, one of the leading French artist of the 1940s and the 1950s was born in Le Havre.

Architecture

Architecturally, Norman cathedrals, abbeys (such as the Abbey of Bec) and castles characterise the former Duchy in a way that mirrors the similar pattern of Norman architecture in England following the Norman Conquest of 1066.

Domestic architecture in upper Normandy is typified by half-timbered buildings that also recall vernacular English architecture, although the farm enclosures of the more harshly landscaped Pays de Caux are a more idiosyncratic response to socio-economic and climatic imperatives. Much urban architectural heritage was destroyed during the Battle of Normandy in 1944 – post-war urban reconstruction, such as in Le Havre and Saint-Lô, could be said to demonstrate both the virtues and vices of modernist and brutalist trends of the 1950s and 1960s. Le Havre, the city rebuilt by Auguste Perret, was added to Unesco’s World Heritage List in 2005.

Vernacular architecture in lower Normandy takes its form from granite, the predominant local building material. The Channel Islands also share this influence – Chausey was for many years a source of quarried granite, including that used for the construction of Mont Saint-Michel.

The south part of Bagnoles-de-l'Orne is filled with bourgeois villas in Belle Époque style with polychrome façades, bow windows and unique roofing. This area, built between 1886 and 1914, has an authentic “Bagnolese” style and is typical of high-society country vacation of the time. The Chapel of Saint Germanus (Chapelle Saint-Germain) at Querqueville with its trefoil floorplan incorporates elements of one of the earliest surviving places of Christian worship in the Cotentin – perhaps second only to the Gallo-Roman baptistry at Port-Bail. It is dedicated to Germanus of Normandy.