Deviant Modernism: Sexual and Textual Errancy in T.S.Eliot, James Joyce and Marcel Proust  

From The Art and Popular Culture Encyclopedia

Deviant Modernism: Sexual and Textual Errancy in T.S Eliot, ...books.google.be › books Colleen Lamos · 1998 FOUND INSIDE – PAGE 146 thoughts tell a different story, of Wilde's shameful, homosexual love and of his own, presumably homoerotic, voyeurism at Charenton, a town southeast of Paris where the Marquis de Sade, the notorious sodomite, was imprisoned.

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Deviant Modernism: Sexual and Textual Errancy in T.S.Eliot, James Joyce and Marcel Proust (1999) is a book by American scholar Colleen Lamos, dealing with the writing of T. S. Eliot, James Joyce and Marcel Proust.

From the publisher:

This original study re-evaluates central texts of the modernist canon - Eliot's early poetry including The Waste Land, Joyce's Ulysses, and Proust's Remembrance of Things Past - by examining sexual energies and identifications in them that are typically regarded as perverse. According to modern cultural discourses and psychosexual categorizations, these deviant desires and identifications feminize men or tend to render them homosexual. Colleen Lamos's analysis of the operations of gender and sexuality in these texts reveals conflicts concerning the definition of masculine heterosexuality which cut across the aesthetics of modernism. She argues that canonical male modernism, far from being a monolithic entity with a coherently conservative political agenda, is in fact the site of errant impulses and unresolved struggles. What emerges is a reconsideration of modernist literature as a whole and a recognition of the heterogeneous forces that formed and deformed modernism.

See also

• modernist literature, errancy, deviancy