December 30, 2009  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

"Sketches of the lives of Correggio, and Parmegiano"


Philippe's son Louis, religious and somewhat neurotic, attacked with a knife one of the most famous works, Correggio's Leda and the Swan, now in Berlin, and ordered the painter Charles-Antoine Coypel to cut up all three of the great Correggio mythological works in the presence of his chaplain, which Coypel did, but saving and repairing the pieces. The Leda went to Frederick the Great of Prussia, the Danäe to Venice, where it was stolen and eventually sold to the English consul at Leghorn, and Jupiter and Io went to the Imperial collection in Vienna.


Spanish film

RIP Iván Zulueta (September 29 1943 - 30 December 2009) was a Spanish designer and film director. His work spanned different fields such as art designer in movies or music# and he was mainly known for writing and directing the film Arrebato (Rapture), and for designing the posters and promotion of Pedro Almodóvar's first movies.

Rowland S. Howard


Nymph and Shepherd[1] by Titian show a third hand, just as in Rembrandt's etching Ledikant[2]


Jan van Scorel, De Zondvloed. [3]


Amorous Couple in a Park Spied upon by Children or Paris en Oenone. (1694) in Rijksmuseum Amsterdam by Adriaen_van_der_Werff[4], the first dimpled breast by human hand in postclassical art.


The Beheading of St. John the Baptist. Artist. Daniele da Volterra (Ricciarelli), (1509-66). Location. Galleria Sabauda, Turin, Italy.


Hercules and Deianira[5] (c. 1580/1585) by Spranger

Kunsthistorisches Museum from the Kunstkammer of Rudolf II.


Poppaea Sabina, Fontainebleau school, c. 1570[6] and Woman with Red Lily. Coll. of the Marquis de Biencourt, Paris from ToE


Infirme[7], présenté dans un tableau commandé par la « chambre des pauvres » qui aidait les nécessiteux. Commande passée à Bernard van Orley 1492-1542 (Bruxelles vers 1520). Rem : Aspects expressionnistes et formes assez tourmentées.


The crucial meaning of the question: is Poussin Baroque? was clearly posed by Wolfgang Stechow. If Poussin is a Baroque artist, he wrote, ...


The Death of Germanicus (1626) introduces a new subject - the hero on his deathbed. The painting marks the beginning of Poussin's alternative to the dominant trend of the 17th century, the Baroque style. --artcyclopedia,[8]





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