David Cronenberg
From The Art and Popular Culture Encyclopedia
(Difference between revisions)
| Revision as of 16:58, 7 July 2007 WikiSysop (Talk | contribs) ← Previous diff |
Revision as of 21:01, 8 September 2007 WikiSysop (Talk | contribs) Next diff → |
||
| Line 26: | Line 26: | ||
| {{GFDL}} | {{GFDL}} | ||
| + | |||
| + | [[Category:Canon]] | ||
Revision as of 21:01, 8 September 2007
|
Related e |
|
Featured: |
- In an interview with Senses of Cinema, Catherine Breillat described David Cronenberg as another filmmaker she considers to have a similar approach to sexuality in film.
David Paul Cronenberg (born March 15, 1943) is a Canadian film director and occasional actor. He is one of the principal originators of what is commonly known as the body horror or venereal horror genre. This style of filmmaking explore people's fears of bodily transformation and infection. In his films, the psychological is typically intertwined with the physical. In the first half of his career, he explored these themes mostly through horror and science fiction, although his work has since expanded beyond these genres.
Feature Films
- Stereo (1969)
- Crimes of the Future (1970)
- Shivers (1975)
- Rabid (1977)
- Fast Company (1979)
- The Brood (1979)
- Scanners (1981)
- Videodrome (1983)
- The Dead Zone (1983)
- The Fly (1986)
- Dead Ringers (1988)
- Naked Lunch (1991)
- M. Butterfly (1993)
- Crash (1996)
- eXistenZ (1999)
- Spider (2002)
- A History of Violence (2005)
- Eastern Promises (2007)
- Maps to the Stars (TBA)
- London Fields (TBA)
Unless indicated otherwise, the text in this article is either based on Wikipedia article "David Cronenberg" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
