Evil in the Value System of Art  

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"[Kitsch] is perhaps most clearly visible where love poetry changes into pornography ... perverting the infinite goal of love ... into a series of finite sex acts..... Whoever produces kitsch ... is not to be evaluated by esthetic measures but is ethically depraved; he is a criminal who wills radical evil."

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

"Das Böse im Wertsystem der Kunst" (1933, English: “Evil in the Value-System of Art”) is an essay on kitsch by Hermann Broch.

In this essay, Broch called kitsch "the evil within the value-system of art"—that is, if true art is "good", kitsch is "evil". While art was creative, Broch held that kitsch depended solely on plundering creative art by adopting formulas that seek to imitate it, limiting itself to conventions and demanding a totalitarianism of those recognizable conventions. Broch accuses kitsch of not participating in the development of art, having its focus directed at the past. To Broch, kitsch was not the same as bad art; it formed a system of its own. He argued that kitsch involved trying to achieve "beauty" instead of "truth" and that any attempt to make something beautiful would lead to kitsch.

References

  • Broch, Hermann, “Das Böse im Wertsystem der Kunst,” Die neue Rundschau, vol. 44, no. 2 (August 1933), pp. 157–91.

See also




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