Czech animation  

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Czech animation has been a tradition for over 100 years. Czech animators are considered pioneers in film animation. Czech animation dates back to the 1920s, and its "Golden Era" spans between the 1950s and the 1980s. Notable Czech animators include Jiří Trnka, Karel Zeman, Břetislav Pojar, Jan Švankmajer, Vera Neubauer, Hermína Týrlová, and Jiří Barta. Czech animators have employed cel animation, cutout animation, puppet animation, and clay animation. 3D animation is seldom used due to lack of finances and trained 3D animators. This led to a decline in the years following 1989.

Though the "Golden Era" has ended for Czech animation, a new generation of animators remain who sustain Czech animation traditions.

Contents

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History

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Early Years (1920–1944)

The production of Czech animation began in the 1920s. Czech animated production from the 1920s to 1945 was created primarily as advertisements for products and as works for children, with the earliest Czech animation being Jiří Barta's unfinished 1920 film Template:Lang, an adaptation of the classic children's book of the same name by Jan Karafiát. Most of the films produced in this era were shorter than 10 minutes. In 1927, the animator Karel Dodal began creating a series of advertisements starring the popular character Felix the Cat. The advertisements were predominantly for savings banks.

By the 1930s, puppet animations were also in production. Template:Lang (1931), a thirty-two minute satirical work featuring Spejbl, was one of the first puppet animations released in Czech cinemas. The first experimental animated film was Karel Dodal's Template:Lang (1938). In 1937, Czech animation gained international attention when Dodal's work was shown at the 1937 Exhibition in Paris. In 1943, the first mixed live-action puppet animation production, Template:Lang, directed by Hermína Týrlová, was released. The film was lost in a 1944 laboratory fire, and a recreation was subsequently produced by Karel Zeman in 1944.

Significant animators who began their careers during this period include Břetislav Pojar, Stanislav Látal, Jiří Trnka, Karel Zeman, and Hermína Týrlová, who previously worked as an assistant to Dodal.

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Golden Age (1945–1989)

The roots of the Czech "Golden Age" of animation began in 1945 when puppet theater operators Eduard Hofman and Jiří Trnka founded the animation studio Bratři v triku. In 1945, the studio released its first production, Template:Lang, directed by Trnka. The film was a ten minute long adaptation of a popular Czech folk tale. In the same year, Zeman's recreation of Vánoční sen was released. In 1946, Jiří Trnka directed Zvířátka a petrovští; both films brought critical acclaim to the Czech animation industry by winning short film awards at the 1st annual Cannes Film Festival. Czech animation also expanded following World War II due to the nationalization of Czechoslovak film industry, which allowed the development of feature-length films and more consistent studio output due to an increased amount of resources.Template:Sfn

In the late 1940s, Jiří Trnka expanded from two-dimensional animation to puppet animation and created the first feature-length Czech puppet animation film, Špalíček (1947). The film was also Trnka's first feature-length production. By the end of the 1950s, Trnka had made 6 full-length films and 12 short animated films, and was one of the most productive animators in the world. His films produced in the 1950s such as Prince Bayaya, Old Czech Legends and A Midsummer Night's Dream earned him worldwide acclaim and the nickname "the Walt Disney of Eastern Europe". His final film The Hand was declared the 5th best animated picture in history.

Other important figures in Bratři v triku include Zdeněk Miler, who created the popular cartoon character Mole, and Josef Kábrt, who worked on the film Fantastic Planet. The successful children's animated series Pohádky z mechu a kapradí was also developed by Bratři v triku. Another successful animator was Břetislav Pojar, who worked under Trnka. His animated series Pojďte pane, budeme si hrát was nationally successful.

The second most prominent Czech animation studio was based in Zlín, where Karel Zeman and Hermína Týrlová were considered the main figures. Týrlová earned fame for her children's films, with her most famous film being 1947's Vzpoura hraček. Zeman's films gained worldwide attention for its unique mixture of animation and live-action actors. His films drew inspiration from novels Jules Verne. His The Fabulous World of Jules Verne is considered the most successful Czech film ever made.

The second generation of animators includes Jan Švankmajer, who emerged in the mid-1960s, Jiří Barta, Vlasta Pospíšilová, experimental aniamtor Vera Neubauer, and Lubomír Beneš, the creator of the series Pat & Mat. Significant films of 1980s include The King and the Goblin (1980) by Lubomír Beneš, The Pied Piper (1986) by Jiří Barta and Alice (1988) by Jan Švankmajer. Animated films were funded by the State during Communism but were censored and many projects couldn't be realized as a result.

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Modern Era (1990–now)

The Czech film industry was privatized after 1989, which resulted in lack of finances for animated films and more limitations on films produced by Czech animators. On the other hand, there are still successful films made. Jan Švankmajer produced successful films in the 1990s, such as Faust. Other successful animators in the modern era include Aurel Klimt, Pavel Koutský, Tomasz Bagiński, Václav Švankmajer, Jan Svěrák, Tomáš Luňák, and Michaela Pavlátová.

In 2008, the first Czech feature-length computer-animated film, Goat Story directed by Jan Tománek, was released.

In 2020, the film Daughter (2019) directed by Daria Kashcheeva was nominated for Best Animated Short Film at the 92nd Academy Awards.

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Significant works

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Significant films

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Significant television series

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See also


Unless indicated otherwise, the text in this article is either based on Wikipedia article "Czech animation" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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