Constrained writing  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

Related e

Google
Wikipedia
Wiktionary
Wiki Commons
Wikiquote
Wikisource
YouTube
Shop


Featured:
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
Enlarge
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Constrained writing is a literary technique in which the writer is bound by some condition that forbids certain things or imposes a pattern.

Constraints are very common in poetry, which often requires the writer to use a particular verse form.

The most common constrained forms of writing are strict restrictions in vocabulary, e.g. Basic English, copula-free text, defining vocabulary for dictionaries, and other limited vocabularies for teaching English as a Second Language or to children. This is not generally what is meant by “constrained writing” in the literary sense, which is motivated by more aesthetic concerns. For example:

  • Lipogram: a letter (commonly e or o) is outlawed.
  • Palindromes, such as the word “radar”, read the same forwards and backwards.
  • Pilish, where the lengths of consecutive words match the digits of the number π.
  • Alliteratives, in which every word must start with the same letter (or subset of letters; see Alphabetical Africa).
  • Acrostics: first letter of each word/sentence/paragraph forms a word or sentence.
  • Reverse-lipograms: each word must contain a particular letter.
  • Twiction: espoused as a specifically constrained form of microfiction where a story or poem is exactly one hundred and forty characters long.
  • Anglish, favouring Anglo-Saxon words over Greek and Roman words.
  • Anagrams, words or sentences formed by rearranging the letters of another.
  • Aleatory, where the reader supplies a random input.
  • Chaterism Where the length of words in a phrase or sentence increase or decrease in a uniform, mathematical way as in "I am the best Greek bowler running", or "hindering whatever tactics appear".
  • Univocalic poetry, using only one vowel.
  • Bilingual homophonous poetry, where the poem makes sense in two different languages at the same time, thus constituting two simultaneous homophonous poems.
  • One syllable article, a form unique to Chinese literature, using many characters all of which are homophones; the result looks sensible as writing but is incomprehensible when read aloud.
  • Limitations in punctuation, such as Peter Carey's book True History of the Kelly Gang, which features no commas.
  • Mandated vocabulary, where the writer must include specific words, chosen a priori, along with the writer's own freely chosen words (for example, Quadrivial Quandary, a website that solicits individual sentences containing all four words in a daily selection).

The Oulipo group is a gathering of writers who use such techniques. The Outrapo group uses theatrical constraints.

Examples

  • Gadsby is an English-language novel consisting of 50,100 words, none of which contain the letter “e”.
  • In 1969, French writer Georges Perec published La Disparition, a novel that did not include the letter “e”. It was translated into English in 1995 by Gilbert Adair as A Void. Perec subsequently joked that he incorporated the “e”s not used in La Disparition in the novella Les Revenentes (1972), which uses no vowels other than “e”. Les Revenentes was translated into English by Ian Monk as The Exeter Text: Jewels, Secrets, Sex.
  • The 2004 French novel Le Train de Nulle Part (The Train from Nowhere) by Michel Thaler was written entirely without verbs.
  • Experimental Canadian poet Christian Bök’s Eunoia is a univocalic that uses only one vowel in each of its five chapters.
  • One famous constrained writing in the Chinese language is The Lion-Eating Poet in the Stone Den which consists of 92 characters, all with the sound shi. Another is the Thousand Character Classic in which all 1000 characters are unique without any repetition.
  • Cadaeic Cadenza” is a short story by Mike Keith using the first 3835 digits of pi to determine the length of words. Not A Wake is a book using the same constraint based on the first 10,000 digits.
  • Never Again is a novel by Doug Nufer in which no word is used more than once.
  • Ella Minnow Pea is a book by Mark Dunn where certain letters become unusable throughout the novel.
  • The last chapter of Ulysses by James Joyce contains no punctuation at all
  • Alphabetical Africa is a book by Walter Abish in which the first chapter only uses words that begin with the letter "a", while the second chapter incorporates the letter "b", and then "c", etc. Once the alphabet is finished, Abish takes letters away, one at a time, until the last chapter, leaving only words that begin with the letter "a".
  • Mary Godolphin produced versions of Robinson Crusoe "in Words of One Syllable".
  • Theodor Geisel, also known as Dr. Seuss, wrote the well-known children's book Green Eggs and Ham using only 50 different words on a 50 dollar bet with Bennet Cerf.
  • The Gates of Paradise is a book by Jerzy Andrzejewski where the whole text is just two sentences, one of which is very long.
  • Zero Degree is a postmodern novel written in 1998 by Tamil author Charu Nivedita, later translated into Malayalam and English. Keeping with the numerological theme of Zero Degree, the only numbers expressed in either words or symbols are numerologically equivalent to nine (with the exception of two chapters). This Oulipian ban includes the very common word one. Many sections of the book are written entirely without punctuation, or using only periods.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Constrained writing" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools