Charles-Amédée-Philippe van Loo
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| - | [[Jean-Antoine Watteau]] (1684–1721) is generally considered the first great Rococo painter. He had a great influence on later painters, including [[François Boucher]] (1703–1770) and [[Jean-Honoré Fragonard]] (1732–1806), two masters of the late period. Even [[Thomas Gainsborough]]'s (1727–1788) delicate touch and sensitivity are reflective of the Rococo spirit. [[Élisabeth-Louise Vigée-Le Brun]]'s (1755-1842) style also shows a great deal of Rococo influence, particularly in her portraits of [[Marie Antoinette]]. Other Rococo painters include: [[Jean François de Troy]] (1679-1752), [[Jean-Baptiste van Loo]] (1685-1745), his two sons [[Louis-Michel van Loo]] (1707–1771) and [[Charles-Amédée-Philippe van Loo]] (1719–1795), his younger brother [[Charles-André van Loo]] (1705–1765), [[Nicolas Lancret]] (1690-1743), and both [[Jean-Baptiste-Siméon Chardin]] (1699-1779) and [[Jean-Baptiste Greuze]] (1725-1805), who were important French painters of the Rococo era who are considered ''Anti-Rococo.'' | + | '''Charles-Amédée-Philippe van Loo''' (25 August 1719 – 15 November 1795) was a French painter of [[allegory|allegorical]] scenes and [[portrait]]s. |
| + | He studied under his father, the painter [[Jean-Baptiste van Loo]], at [[Turin]] and Rome, where in 1738 he won the [[Prix de Rome]], then at [[Aix-en-Provence]], before returning to Paris in 1745. He was invited to join the ''[[Académie Royale de Peinture et de Sculpture]]'' in 1747, and that year he married his cousin Marie-Marguerite Lebrun, daughter of the painter [[Michel Lebrun]] (died 1753). | ||
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| + | Among his brothers were the painters François van Loo (1708–1732) and [[Louis-Michel van Loo]] (1707–1771). | ||
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Charles-Amédée-Philippe van Loo (25 August 1719 – 15 November 1795) was a French painter of allegorical scenes and portraits.
He studied under his father, the painter Jean-Baptiste van Loo, at Turin and Rome, where in 1738 he won the Prix de Rome, then at Aix-en-Provence, before returning to Paris in 1745. He was invited to join the Académie Royale de Peinture et de Sculpture in 1747, and that year he married his cousin Marie-Marguerite Lebrun, daughter of the painter Michel Lebrun (died 1753).
Among his brothers were the painters François van Loo (1708–1732) and Louis-Michel van Loo (1707–1771).
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