Carlos Saura  

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Carlos Saura (1932 – 2023) was a Spanish film director, photographer and writer. Along with Luis Buñuel and Pedro Almodóvar, he is considered to be one of Spain's most renowned filmmakers. He had a long and prolific career that spanned over half a century. His films won many international awards.

Saura began his career in 1955 making documentary shorts. He quickly gained international prominence when his first feature-length film premiered at Cannes Film Festival in 1960. Although he started filming as a neorealist, Saura quickly switched to films encoded with metaphors and symbolism in order to get around the Spanish censors. In 1966, he was thrust into the international spotlight when his film La Caza won the Silver Bear at the Berlin International Film Festival. In the following years, he forged an international reputation for his cinematic treatment of emotional and spiritual responses to repressive political conditions.

By the 1970s, Saura was the best known filmmaker working in Spain. His films employed complex narrative devices and were frequently controversial. He won Special Jury Awards for La Prima Angélica (1973) and Cría Cuervos (1975) in Cannes; and an Academy Award for Best Foreign Language Film nomination in 1979 for Mama Cumple 100 Años.

In the 1980s, Saura was in the spotlight for his Flamenco trilogy – Bodas de Sangre, Carmen and El Amor Brujo, in which he combined dramatic content and flamenco dance forms. His work continued to be featured in worldwide competitions and earned numerous awards. He received two nominations for Academy Awards for Best Foreign Language Film, for Carmen (1983) and Tango (1998). His films are sophisticated expression of time and space fusing reality with fantasy, past with present, and memory with hallucination. In the last two decades of the 20th century, Saura concentrated on works uniting music, dance and images.

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Early life

Saura was born in Huesca, Aragón, Spain on 4 January 1932. His father, Antonio Saura Pacheco, who came from Murcia, was an attorney and civil servant. His mother, Fermina Atarés Torrente, was a concert pianist. The second of their four children, Carlos had an older brother, Antonio Saura, and two younger sisters, María del Pilar and María de los Ángeles. Antonio became a well-known abstract expressionist painter. From their parents, the four siblings received a liberal understanding education. Because his father worked for the Ministry of the Interior, the Saura family moved to Barcelona, Valencia, and, in 1953, to Madrid. Saura's childhood was marked by the Spanish Civil War, during which the Nationalists fought against the Republicans.

Saura had vivid recollection of his childhood during the war. He later evoked some of them in his films – the games he played, and the songs he sang, as well as darker memories of bombings and hunger, blood and death. He was taught to read by a priest – a relative whom his parents sheltered from anticlerical extremists. At the war's end, Saura was separated from his parents and sent back to Huesca to live with his maternal grandmother and aunts. He described these relatives as “right wings and very religious” imposed in the child the very antithesis of the liberal education he had received in the republican zone.

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Filmography

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As director


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