Call and response
From The Art and Popular Culture Encyclopedia
|
Related e |
|
Wikipedia
Featured: A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933) |
Call and response is a form of "spontaneous verbal and non-verbal interaction between speaker and listener in which all of the statements ('calls') are punctuated by expressions ('responses') from the listener", as stated by Smitherman.
In African cultures, call and response is a pervasive pattern of democratic participation — in public gatherings, in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression (see call and response in music). It is this tradition that African bondsmen and women have transmitted over the years in various forms of expression — in religious observance; public gatherings; even in children's rhymes; and, most notably, in black music in its multiple forms: gospel, blues, rhythm and blues, jazz and jazz extensions, and hip-hop.
However, modern anthropologists believe the origins of African-American call and response religious meetings derives from the religious practices of original Scottish settlers to the South, whose Protestant religion influenced African-American culture.
