British humour  

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===The absurd=== ===The absurd===
-[[Image:Green Wing Poster.jpg|thumb|right|300px|''[[Green Wing]]'' (2004-2007), a [[Situation comedy|sitcom]] set in a [[hospital]], but featuring nothing medical. Used experimental filming, surreal jokes and strong female leads.]] 
The absurd and the surreal, typified by: The absurd and the surreal, typified by:
*''[[The Goon Show]]'', a surreal radio show *''[[The Goon Show]]'', a surreal radio show
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===The humour inherent in everyday life=== ===The humour inherent in everyday life===
-[[Image:TheOfficeuk1.jpg|thumb|right|250px|''[[The Office (UK TV series)|The Office]]'' (2001-2003) is mainly based on mundane office life. This is one of the most successful British comedies, being exported to several countries.]] 
The humour, not necessarily apparent to the participants, inherent in everyday life, as seen in: The humour, not necessarily apparent to the participants, inherent in everyday life, as seen in:
*''[[Hancock's Half Hour]]'' *''[[Hancock's Half Hour]]''
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===The lovable rogue=== ===The lovable rogue===
-[[Image:Ba4.jpg|thumb|right|200px|''Blackadder'' (1983-1989), a sitcom set in several periods of British history. The title character is an [[antihero]], being rude and mean to almost everyone, particularly his servant [[Baldrick]].]]  
The lovable rogue, often from the impoverished working class, trying to 'beat the system' and better himself, typified by: The lovable rogue, often from the impoverished working class, trying to 'beat the system' and better himself, typified by:
*The ''[[Andy Capp]]'' cartoon strip created by [[Reginald Smythe]] *The ''[[Andy Capp]]'' cartoon strip created by [[Reginald Smythe]]

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British humour is a somewhat general term applied to certain comedic motifs that are often prevalent in comedic acts originating in Great Britain and its current or former colonies. Comedy acts and television programs typical of British humour include Monty Python, Benny Hill, and Keeping Up Appearances to name a few that have become quite popular outside of the British Isles. At times, however, such humour can seem puzzling to non-British speakers of English (references to English slang terms or people, who are unknown internationally for example) while certain Commonwealth nations (such as Australia, Canada and South Africa) tend to find it more familiar. Many UK comedy TV shows typical of British humour have been internationally popular, and have been a strong avenue for the export and representation of British culture to an international audience.

Contents

Themes

Some themes (with examples) that underpinned late twentieth-century British humour were:

Smut and innuendo

Smut and innuendo with sexual and scatological themes, typified by:

Disrespect to members of the establishment

Disrespect to members of the establishment and authority, typified by:

The absurd

The absurd and the surreal, typified by:

The Macabre

Black humour, in which topics and events that are usually treated seriously are treated in a humorous or satirical manner, typified by:

The manic

The humour inherent in everyday life

The humour, not necessarily apparent to the participants, inherent in everyday life, as seen in:

The 'war' between parents/teachers and children

The 'war' between parents/teachers and their children, typified by:

The British class system

The British class system, especially pompous or dim-witted members of the upper/middle classes or embarrassingly blatant social climbers, typified by:

The lovable rogue

The lovable rogue, often from the impoverished working class, trying to 'beat the system' and better himself, typified by:

The embarrassment of social ineptitude

The embarrassment of social ineptitude, typified by:

Making fun of foreigners

Making fun of foreigners, sometimes bordering on xenophobia, is especially common in television sitcoms and films of the 1970s, typified by:

Bullying and harsh sarcasm

Harsh sarcasm and bullying, though with the bully usually coming off worse than the victim - typified by:

Parodies of stereotypes

Making fun of British stereotypes, typified by:

Tolerance of, and affection for, the eccentric

Tolerance of, and affection for, the eccentric, especially when allied to inventiveness

See also

References

  • Sutton, David. A chorus of raspberries: British film comedy 1929-1939. Exeter: University of Exeter Press, (2000) ISBN 0-85989-603-X



Unless indicated otherwise, the text in this article is either based on Wikipedia article "British humour" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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