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"I shall omit to speak about genera and species, as to whether they subsist (in the nature of things) or in mere conceptions only; whether also if subsistent, they are bodies or incorporeal, and whether they are separate from, or in, sensibles, and subsist about these, for such a treatise is most profound, and requires another more extensive investigation". --Porphyry on the problem of universals in the Isagoge, translation by Boethius, English translation quoted in A History of Western Philosophy (McInerny and Caponigri), p. 357, Ralph McInerny, ‎Aloysius Robert Caponigri

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Anicius Manlius Severinus Boëthius, commonly called Boethius (c. 480–524 or 525 AD), was a philosopher of the early 6th century. While jailed, Boethius composed his Consolation of Philosophy, a philosophical treatise on fortune, death, and other issues. The Consolation became one of the most popular and influential works of the Middle Ages.


Boethius's best known work is the Consolation of Philosophy, which he wrote most likely while in exile under house arrest or in prison while awaiting his execution, but his lifelong project was a deliberate attempt to preserve ancient classical knowledge, particularly philosophy. He intended to translate all the works of Aristotle and Plato from the original Greek into Latin. His completed translations of Aristotle's works on logic were the only significant portions of Aristotle available in Europe until the 12th century. However, some of his translations (such as his treatment of the topoi in The Topics) were mixed with his own commentary, which reflected both Aristotelian and Platonic concepts.

Boethius also wrote a commentary on the Isagoge by Porphyry, which highlighted the existence of the problem of universals: whether these concepts are subsistent entities which would exist whether anyone thought of them, or whether they only exist as ideas. This topic concerning the ontological nature of universal ideas was one of the most vocal controversies in medieval philosophy.

Besides these advanced philosophical works, Boethius is also reported to have translated important Greek texts for the topics of the quadrivium. His loose translation of Nicomachus's treatise on arithmetic (De institutione arithmetica libri duo) and his textbook on music (De institutione musica libri quinque, unfinished) contributed to medieval education. His translations of Euclid on geometry and Ptolemy on astronomy, if they were completed, no longer survive.

In his "De Musica", Boethius introduced the threefold classification of music:
1. Musica mundana — music of the spheres/world
2. Musica humana — harmony of human body and spiritual harmony
3. Musica instrumentalis — instrumental music (incl. human voice)

Boethius also wrote theological treatises, which generally involve support for the orthodox position against Arian ideas and other contemporary religious debates. His authorship was periodically disputed because of the secular nature of his other work, until the 19th century discovery of a biography by his contemporary Cassiodorus which mentioned his writing on the subject.

Boethius has been called by Lorenzo Valla the last of the Romans and the first of the scholastic philosophers. Despite the use of his mathematical texts in the early universities, it is his final work, the Consolation of Philosophy, that assured his legacy in the Middle Ages and beyond. This work is cast as a dialogue between Boethius himself, at first bitter and despairing over his imprisonment, and the spirit of philosophy, depicted as a woman of wisdom and compassion. Alternately composed in prose and verse, the Consolation teaches acceptance of hardship in a spirit of philosophical detachment from misfortune. Parts of the work are reminiscent of the Socratic method of Plato's dialogues, as the spirit of philosophy questions Boethius and challenges his emotional reactions to adversity. The work was translated into Old English by King Alfred, and into later English by Chaucer and Queen Elizabeth; many manuscripts survive and it was extensively edited, translated and printed throughout Europe from the 14th century onwards. Many commentaries on it were compiled and it has been one of the most influential books in European culture. No complete bibliography has ever been assembled but it would run into thousands of items.

"The Boethian Wheel" (or "The Wheel of Fortune") was a concept, stretching back at least to Cicero, that Boethius uses frequently in the Consolation; it remained very popular throughout the Middle Ages, and is still often seen today. As the wheel turns those that have power and wealth will turn to dust; men may rise from poverty and hunger to greatness, while those who are great may fall with the turn of the wheel. It was represented in the Middle Ages in many relics of art depicting the rise and fall of man.

See also

Rota Fortunae

Unless indicated otherwise, the text in this article is either based on Wikipedia article "Boethius" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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