Bob Marley
From The Art and Popular Culture Encyclopedia
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+ | "In the late 1960s [[reggae]], a reinterpretation of [[American rhythm and blues]], became popular around the world, due in large part to the international success of [[Bob Marley]]. Marley was viewed as a [[Rastafari movement|Rastafarian]] [[Messiah |messianic]] figure by some fans, particularly throughout the [[Caribbean]], Africa, and among [[Indigenous peoples of the Americas|Native Americans]] and [[Australian Aborigine]]s. His lyrics about love, redemption and natural beauty captivated audience." --Sholem Stein | ||
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'''Robert "Bob" Nesta Marley''' [[Jamaican Order of Merit|OM]] ([[February 6]], [[1945]] – [[May 11]] [[1981]]) was a [[Jamaican singer]], [[songwriter]], [[guitarist]], and [[activist]]. He is the most widely known performer of [[reggae]] music. | '''Robert "Bob" Nesta Marley''' [[Jamaican Order of Merit|OM]] ([[February 6]], [[1945]] – [[May 11]] [[1981]]) was a [[Jamaican singer]], [[songwriter]], [[guitarist]], and [[activist]]. He is the most widely known performer of [[reggae]] music. |
Revision as of 09:30, 17 February 2021
"In the late 1960s reggae, a reinterpretation of American rhythm and blues, became popular around the world, due in large part to the international success of Bob Marley. Marley was viewed as a Rastafarian messianic figure by some fans, particularly throughout the Caribbean, Africa, and among Native Americans and Australian Aborigines. His lyrics about love, redemption and natural beauty captivated audience." --Sholem Stein |
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Robert "Bob" Nesta Marley OM (February 6, 1945 – May 11 1981) was a Jamaican singer, songwriter, guitarist, and activist. He is the most widely known performer of reggae music.
Marley is best known for his reggae songs, which include the hits "I Shot the Sheriff", "No Woman, No Cry", "Three Little Birds", "Exodus", "Could You Be Loved", "Jammin'", "Redemption Song", and "One Love".
With Lee Perry
After a conflict with Dodd in the late summer of 1970, Marley and his band teamed up with Lee "Scratch" Perry (who Marley had met when Perry was studio supervisor at Studio One) and his studio band, The Upsetters. Although the alliance lasted less than a year, they recorded what many consider The Wailers' finest work. Marley and Perry split after a dispute regarding the assignment of recording rights, but they would remain friends and work together again. The output of this 1970-1971 period was released on Soul Rebels (1970), Soul Revolution (1971), Soul Revolution Part II (1971), African Herbsman (1973) and Rasta Revolution (1974) on the Upsetter/Trojan label.
Studio albums
- The Wailing Wailers (1965)
- Soul Rebels (1970)
- Soul Revolution (1971)
- The Best of The Wailers (1971)
- Catch a Fire (1973)
- Burnin' (1973)
- Natty Dread (1974)
- Rastaman Vibration (1976)
- Exodus (1977)
- Kaya (1978)
- Survival (1979)
- Uprising (1980)
- Confrontation (1983)
See also