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'Benoit B.  Mandelbrot (20 November 1924 – 14 October 2010) was a Polish-born, French and American mathematician with broad interests in the practical sciences, especially regarding what he labeled as "the art of roughness" of physical phenomena and "the uncontrolled element in life."

Fractals and the "theory of roughness"

Mandelbrot created the first-ever "theory of roughness", and he saw "roughness" in the shapes of mountains, coastlines and river basins; the structures of plants, blood vessels and lungs; the clustering of galaxies. His personal quest was to create some mathematical formula to measure the overall "roughness" of such objects in nature.

In his paper entitled How Long Is the Coast of Britain? Statistical Self-Similarity and Fractional Dimension published in Science in 1967 Mandelbrot discusses self-similar curves that have Hausdorff dimension that are examples of fractals, although Mandelbrot does not use this term in the paper, as he did not coin it until 1975. The paper is one of Mandelbrot's first publications on the topic of fractals.

Mandelbrot emphasized the use of fractals as realistic and useful models for describing many "rough" phenomena in the real world. He concluded that "real roughness is often fractal and can be measured." Although Mandelbrot coined the term "fractal", some of the mathematical objects he presented in The Fractal Geometry of Nature had been previously described by other mathematicians. Before Mandelbrot, however, they were regarded as isolated curiosities with unnatural and non-intuitive properties. Mandelbrot brought these objects together for the first time and turned them into essential tools for the long-stalled effort to extend the scope of science to explaining non-smooth, "rough" objects in the real world. His methods of research were both old and new: {{quote|The form of geometry I increasingly favored is the oldest, most concrete, and most inclusive, specifically empowered by the eye and helped by the hand and, today, also by the computer … bringing an element of unity to the worlds of knowing and feeling … and, unwittingly, as a bonus, for the purpose of creating beauty.

Fractals are also found in human pursuits, such as music, painting, architecture, and stock market prices. Mandelbrot believed that fractals, far from being unnatural, were in many ways more intuitive and natural than the artificially smooth objects of traditional Euclidean geometry:

Clouds are not spheres, mountains are not cones, coastlines are not circles, and bark is not smooth, nor does lightning travel in a straight line.
  —Mandelbrot, in his introduction to The Fractal Geometry of Nature

Mandelbrot has been called a visionary and a maverick. His informal and passionate style of writing and his emphasis on visual and geometric intuition (supported by the inclusion of numerous illustrations) made The Fractal Geometry of Nature accessible to non-specialists. The book sparked widespread popular interest in fractals and contributed to chaos theory and other fields of science and mathematics.

Mandelbrot also put his ideas to work in cosmology. He offered in 1974 a new explanation of Olbers' paradox (the "dark night sky" riddle), demonstrating the consequences of fractal theory as a sufficient, but not necessary, resolution of the paradox. He postulated that if the stars in the universe were fractally distributed (for example, like Cantor dust), it would not be necessary to rely on the Big Bang theory to explain the paradox. His model would not rule out a Big Bang, but would allow for a dark sky even if the Big Bang had not occurred.

See also

• "How Long Is the Coast of Britain? Statistical Self-Similarity and Fractional Dimension", a 1967 paper by Mandelbrot
• Mandelbrot Competition
• Skewness risk and Kurtosis risk