Antichrist (film)  

From The Art and Popular Culture Encyclopedia

(Redirected from August 19, 2009)
Jump to: navigation, search

Related e

Wikipedia
Wiktionary
Shop


Featured:

Antichrist (stylized as ANTICHRIS♀) is a 2009 experimental psychological horror film written and directed by Lars Von Trier and starring Willem Dafoe and Charlotte Gainsbourg. It tells the story of a couple who, after the death of their child, retreat to a cabin in the woods where the man experiences strange visions and the woman manifests increasingly violent sexual behaviour and sadomasochism. The narrative is divided into a prologue, four chapters and an epilogue.

Written in 2006 while Von Trier had been hospitalised due to a significant depressive episode, the film was largely influenced by his own struggles with depression and anxiety. Filming began in the late summer of 2008, primarily in Germany, and was a Danish production co-produced by several other film production companies from six different European countries.

After its premiere at the 2009 Cannes Film Festival, where Gainsbourg won the festival's award for Best Actress, the film immediately caused controversy, with critics generally praising its artistic execution but remaining strongly divided regarding its substantive merit. The film is dedicated to the Soviet filmmaker Andrei Tarkovsky (1932–86).

Antichrist is the first film in von Trier's unofficially titled Depression Trilogy. It was followed in 2011 by Melancholia and then by Nymphomaniac in 2013.

Plot

An unnamed couple has sex in their Seattle apartment while their toddler son, Nic (Storm Acheche Sahlstrøm), climbs up to the bedroom window and falls to his death. The mother collapses at the funeral, and spends the next month in the hospital crippled with atypical grief. The father, a therapist, is skeptical of the psychiatric care she is receiving and takes it upon himself to treat her personally with psychotherapy. She reveals that her second greatest fear is nature, prompting him to try exposure therapy. They hike to their isolated cabin in a woods called Eden, where she spent time with Nic the previous summer while writing a thesis on gynocide. During the hike, he encounters a doe that shows no fear of him and has a stillborn fawn hanging halfway out of her.

During sessions of psychotherapy, she becomes increasingly grief-stricken and manic, often demanding forceful sex. The area becomes increasingly sinister to the man; acorns rapidly pelt the metal roof, he wakes up with a hand covered in swollen ticks, and he finds a self-disemboweling red fox that tells him: "Chaos reigns!" In the dark attic the man finds the woman's thesis studies, which includes violent portraits of witch-hunts, and a scrapbook in which her writing becomes increasingly frantic and illegible. She reveals that while writing her thesis, she came to believe that all women are inherently evil. The man reproaches her for imbibing the gynocidal beliefs she had originally set out to criticize. In a frenzied moment, they have violent intercourse at the base of an ominous dead tree, where bodies are intertwined within the exposed roots. He suspects that Satan is her greatest hidden fear.

Upon viewing Nic's autopsy and photos she took of him while the two stayed at Eden, the man becomes aware that she had been systematically putting Nic's shoes on the wrong feet, resulting in a foot deformity. While in the woodshed, she attacks him, accuses him of planning to leave her, mounts him, and then smashes a large block of wood onto his groin, causing him to lose consciousness. The woman then masturbates the unconscious man, culminating in an ejaculation of blood. She drills a hole through his leg, bolting a heavy grindstone through the wound, and tosses the wrench she used under the cabin. He awakens alone; unable to loosen the bolt, he hides by dragging himself into a deep foxhole at the base of the dead tree. Following the sound of a crow he has found buried alive in the hole, she locates him and attacks and mostly buries him with a shovel.

Night falls; now remorseful, she unburies him but cannot remember where the wrench is. She helps him back to the cabin, where she tells him she does "not yet" want to kill him, adding that "when the three beggars arrive someone must die." In a flashback, she recounts Nic climbing up to the window, but she does not act, thus displaying her perceived essential evil. In the cabin, she cuts off her clitoris. The two are then visited by the crow, the deer, and the fox, the three beggars. A hailstorm begins; earlier it had been revealed that women accused of witchcraft had been known to have the power to summon hailstorms. When he finds the wrench under the cabin's floorboards, she attacks him with scissors, but he manages to unbolt the grindstone. Finally free, he viciously attacks her and strangles her to death. He then burns her on a funeral pyre.

He limps from the cabin, eating wild berries, as the three beggars look on, now translucent and glowing. Reaching the top of a hill, under a brilliant light he watches in awe as hundreds of women in antiquated clothes come towards him, their faces blurred.

See also

Antichrist




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Antichrist (film)" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools