Armando Bó
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| - | '''Hilda Isabel Sarli Gorrindo Tito''' ([[July 9]] [[1935]] in [[Concordia, Entre Ríos|Concordia]], [[Entre Ríos Province|Entre Ríos]], Argentina) is a retired [[Argentine actress]], and [[Model (person)|model]] and a [[sex symbol]] of the 1950s, 1960s and 1970s. | ||
| - | Nicknamed ''La Coca'' (just a family alias until the press notes), Sarli was discovered by filmmaker [[Armando Bo]] after she became Miss Argentina in 1955 (who she married) and became the star of his films, starting with [[El Trueno entre las hojas]] in 1956. Her [[nude scene]]s in this --a first in Argentine cinema-- and their subsequent [[sexploitation]] movies were highly criticized and condemned in Argentina. In spite of [[censorship]] and [[persecution]], she became an international [[Latin America]]n star, filming in [[Brazil]], [[Uruguay]], [[Paraguay]], [[Mexico]], [[Panama]] and [[Venezuela]], and films like [[Fuego (1969 film)]] and [[Fiebre]] (1970) reached the American and European markets. | + | '''Armando Bo''' ([[May 3]] [[1914]] - [[October 8]] [[1981]] in [[Buenos Aires]]) was an [[Argentina|Argentine]] [[film actor]], [[film director]], [[film producer]], [[screenwriter]] and [[score composer]] of the classic era. He was known for his [[erotica|erotic]] productions in the 1960s and 1970s, including the first nude scene in an Argentine film (''El trueno entre las hojas''). |
| - | Bo later insisted in casting her in naturalistic melodramas. After his death in 1981, Isabel Sarli retired from the cinema industry altogether but came back in the mid-nineties for Jorge Polaco's film [[La Dama Regresa]]. | + | ==Biography== |
| + | Bo began acting for film in 1939 in '''''[[Ambición]]''''' and made some 50 film appearances as an actor but by the late 1940s he had already taken up an interest in [[film production]] and began as a director, producer, actor, and screenwriter in the early 1950s. He was involved in almost 100 different films during his career. His son [[Victor Bo]] is also a prominent actor in Argentina. | ||
| + | |||
| + | He was closely related to [[Isabel Sarli]] who starred in all of his erotic films. | ||
| + | {{-}} | ||
| ==Filmography== | ==Filmography== | ||
| - | Actress | + | |
| - | *La dama regresa (dir. Jorge Polaco, [[1996]]) | + | {| class="wikitable" |
| - | *Una viuda descocada ([[1980]]) | + | |- |
| - | *Insaciable ([[1979]]) | + | !Year !! Film !! Role !! Notes and Awards |
| - | *Último amor en [[Tierra del Fuego]] ([[1979]]) | + | |- |
| - | *Una mariposa en la noche ([[1977]]) | + | |rowspan="3"|'''1939'''||''[[Ambición]]'' || || |
| - | *La diosa virgen (Sudáfrica/ Argentina, [[1975]]) | + | |- |
| - | *El sexo y el amor ([[1974]]) | + | |''[[Chimbela]]'' || || |
| - | *Intimidades de una cualquiera ([[1974]]) | + | |- |
| - | *Furia infernal ([[1973]]) | + | |''[[...Y mañana serán hombres]]'' || || |
| - | *Fiebre ([[1972]]) | + | |- |
| - | *Éxtasis tropical ([[1969]]) | + | |rowspan="3"|'''1940'''||''[[Un Señor mucamo]]'' || || |
| - | *Embrujada (1969) | + | |- |
| - | *Desnuda en la arena (1969) Alicia | + | |''[[Nosotros, los muchachos]]'' || || |
| - | *[[Fuego (1969 film)|Fuego]] ([[1968]]) Laura | + | |- |
| - | *Carne (1968) Delicia | + | |''[[Fragata Sarmiento]]''||'''' || || |
| - | *La mujer de mi padre (1968) | + | |- |
| - | *La señora del Intendente ([[1967]]) Flor Tetis | + | |rowspan="8"|'''1941'''||''[[La Novela de un joven pobre]]'' || || |
| - | *La tentación desnuda ([[1966]]) Sandra Quesada | + | |- |
| - | *Días calientes (1966) | + | |''[[Melodías de América]]'' || || |
| - | *La mujer del zapatero ([[1965]]) | + | |- |
| - | *La diosa impura ([[1964]]) Laura | + | |''[[El Más infeliz del pueblo]]'' || || |
| - | *La leona (1964) | + | |- |
| - | *Lujuria tropical (1964) | + | |''[[Mamá Gloria]]'' || || |
| - | *[[Setenta veces siete]] ([[1962]]) | + | |- |
| - | *La burrerita de Ypacaraí (1962) | + | |''[[La Maestrita de los obreros]]'' || || |
| - | *Favela ([[1961]]) | + | |- |
| - | *Setenta veces siete (Argentina, sin dir. de Armando Bó (de Torre Nilsson) 1961) | + | |''[[Si yo fuera rica]]'' || || |
| - | *...Y el demonio creó a los hombres ([[1960]]) | + | |- |
| - | *India (1960) Ansisé | + | |''[[Joven, viuda y estanciera]]'' || || |
| - | *Sabaleros ([[1959]]) | + | |- |
| - | *El trueno entre las hojas ([[1958]]) | + | |''[[Cándida millonaria]]'' || || |
| + | |- | ||
| + | |'''1942'''||''[[Tú eres la paz]]'' || || | ||
| + | |- | ||
| + | |'''1944'''||''[[Se abre el abismo]]'' || || | ||
| + | |- | ||
| + | |rowspan="3"|'''1945'''||''[[Villa rica del Espíritu Santo]]'' || || | ||
| + | |- | ||
| + | |''[[Los tres mosqueteros]]'' || || | ||
| + | |- | ||
| + | |''[[La Cabalgata del circo]]'' || || | ||
| + | |- | ||
| + | |rowspan="2"|'''1947'''||''[[La Caraba]]'' || || | ||
| + | |- | ||
| + | |'''[[Si mis campos hablaran]]'''||'''' || || | ||
| + | |- | ||
| + | |rowspan="2"|'''1948'''||''[[Su última pelea]]'' || || | ||
| + | |- | ||
| + | |''[[Pelota de trapo]]'' || || | ||
| + | |- | ||
| + | |'''1949'''||''[[Con el sudor de tu frente]]'' || || | ||
| + | |- | ||
| + | |rowspan="2"|'''1950'''||''[[Fangio, el demonio de las pistas]]'' || || | ||
| + | |- | ||
| + | |''[[Sacachispas]]'' || || | ||
| + | |- | ||
| + | |rowspan="3"|'''1951'''||''[[Mi divina pobreza]]'' || || | ||
| + | |- | ||
| + | |''[[Honrarás a tu madre]]'' || || | ||
| + | |- | ||
| + | |''[[En cuerpo y alma]]'' || || | ||
| + | |- | ||
| + | |rowspan="2"|'''1953'''||''[[Muerte civil]]'' || || | ||
| + | |- | ||
| + | |''[[El Hijo del crack]]'' || || | ||
| + | |- | ||
| + | |'''1956'''||''[[El Trueno entre las hojas]]'' || || | ||
| + | |- | ||
| + | |'''1958'''||''[[Sabaleros]]'' || || | ||
| + | |- | ||
| + | |'''1959'''||''[[...Y el demonio creó a los hombres]]'' || || | ||
| + | |- | ||
| + | |rowspan="2"|'''1962'''||''[[Lujuria tropical]]'' || || | ||
| + | |- | ||
| + | |''[[La Burrerita de Ypacaraí]]'' || || | ||
| + | |- | ||
| + | |rowspan="2"|'''1963'''||''[[Pelota de cuero]]'' || || | ||
| + | |- | ||
| + | |''[[La Diosa impura]]'' || || | ||
| + | |- | ||
| + | |rowspan="2"|'''1964'''||''[[La Mujer del zapatero]]'' || || | ||
| + | |- | ||
| + | |''[[La Leona]]'' || || | ||
| + | |- | ||
| + | |'''1966'''||''[[La Tentación desnuda]]'' || || | ||
| + | |- | ||
| + | |'''1968'''||''[[La Mujer de mi padre]]'' || || | ||
| + | |- | ||
| + | |rowspan="2"|'''1969'''||''[[Éxtasis tropical]]'' || || | ||
| + | |- | ||
| + | |''[[Fuego]]'' || || | ||
| + | |- | ||
| + | |'''1970'''||''[[Fiebre]]'' || || | ||
| + | |- | ||
| + | |'''1972'''||''[[Intimidades de una cualquiera]]'' || || | ||
| + | |- | ||
| + | |rowspan="2"|'''1973'''||''[[La Diosa virgen]]'' || || | ||
| + | |- | ||
| + | |''[[Furia infernal]]'' || Barbara's husband|| | ||
| + | |- | ||
| + | |'''1974'''||''[[El Sexo y el amor]]'' || || | ||
| + | |- | ||
| + | |'''1976'''||''[[Insaciable]]'' || || | ||
| + | |- | ||
| + | |'''1977'''||''[[Una Mariposa en la noche]]'' || || | ||
| + | |- | ||
| + | |'''1979'''||''[[El Último amor en Tierra del Fuego]]'' || || | ||
| + | |- | ||
| + | |} | ||
| {{GFDL}} | {{GFDL}} | ||
Revision as of 21:18, 25 March 2009
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Armando Bo (May 3 1914 - October 8 1981 in Buenos Aires) was an Argentine film actor, film director, film producer, screenwriter and score composer of the classic era. He was known for his erotic productions in the 1960s and 1970s, including the first nude scene in an Argentine film (El trueno entre las hojas).
Biography
Bo began acting for film in 1939 in Ambición and made some 50 film appearances as an actor but by the late 1940s he had already taken up an interest in film production and began as a director, producer, actor, and screenwriter in the early 1950s. He was involved in almost 100 different films during his career. His son Victor Bo is also a prominent actor in Argentina.
He was closely related to Isabel Sarli who starred in all of his erotic films. Template:-
Filmography
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Armando Bó" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
