Andrew Sarris  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
auteur theory history

Andrew Sarris, born on October 31, 1928 in Brooklyn, New York City, New York, is a U.S. film critic and a leading proponent of the auteur theory of criticism. He is generally credited with popularising this theory in the Americas and coining the half-English, half-French term, "auteur theory," in his essay, "Notes on the Auteur Theory," which was inspired by critics writing in the French film magazine Cahiers du cinéma.

He wrote book The American Cinema: Directors and Directions 1929-1968, published in 1968, an opinionated assessment of films of the sound era, organized by director. The book was influential on other critics and helped raise an awareness of the role of the film director among the general public.

For many years he wrote for The Village Voice, and it was during this part of his career that he was often seen as a rival to Pauline Kael, who had originally attacked the auteur theory in her essay, "Circles and Squares". He continues to write film criticism today for The New York Observer, and is a professor at Columbia University, his alma mater. Sarris was a co-founder of the National Society of Film Critics.

He is married to fellow film critic, Molly Haskell.

Bibliography




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