Ancient Art and its Remains; or a Manual of the Archeology of Art
From The Art and Popular Culture Encyclopedia
(Difference between revisions)
| Revision as of 12:22, 25 November 2013 Jahsonic (Talk | contribs) ← Previous diff |
Revision as of 12:24, 25 November 2013 Jahsonic (Talk | contribs) Next diff → |
||
| Line 11: | Line 11: | ||
| :At this time also [[rhyparography]] (so-called still-life) probably made its ... [[Rhopography]], on the other hand, denotes the representation of restricted scenes in ... | :At this time also [[rhyparography]] (so-called still-life) probably made its ... [[Rhopography]], on the other hand, denotes the representation of restricted scenes in ... | ||
| - | + | ==See also== | |
| + | *[[Karl Bernhard Stark]] | ||
| {{GFDL}} | {{GFDL}} | ||
Revision as of 12:24, 25 November 2013
|
Related e |
|
Featured: |
Handbuch der Archäologie der Kunst[1] (1830) is a work by Karl Otfried Müller and Friedrich Gottlieb Welcker.
It was translated as Ancient Art and its Remains; or a Manual of the Archeology of Art[2], translated by John Leitch, published in 1850.
The English translations features probably the first instance of the term pornography in English print.
- "We must here by way of appendix refer to the great number of obscene representations (especially the Veneris figurae, on pictures, gems, coins, lasciva numismata, Martial viii 7 78.) to which also mythology gave frequent occasion, see , 137. R 3. It is remarkable that the Volcentine vases usually represent obscene subjects in the oldest style. On the pornographers of the later times . 163, 4."
And a passage which deals with rhyparography and rhopography:
- At this time also rhyparography (so-called still-life) probably made its ... Rhopography, on the other hand, denotes the representation of restricted scenes in ...
See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Ancient Art and its Remains; or a Manual of the Archeology of Art" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
