Agostino Carracci  

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Agostino Carracci (or Caracci) (August 16, 1557 - March 22, 1602) was an Italian painter and printmaker. He was the brother of the more famous Annibale and cousin of Lodovico Carracci.

He posited the ideal in nature, and was the founder of the competing school to the more gritty (for lack of a better term) view of nature as expressed by Caravaggio. He was, along with his brothers, one of the founders of the Accademia degli Incamminati, which helped propel painters of the School of Bologna to prominence.

He is known for his Loves of the Gods series.


Agostino Carracci was born in Bologna, and trained at the workshop of the architect Domenico Tibaldi. Starting from 1574 he worked as a reproductive engraver, copying works of 16th century masters such as Federico Barocci, Tintoretto, Antonio Campi, Veronese and Correggio. He also produced some original prints, including two etchings.

He travelled to Venice (1582, 1587–1589) and Parma (1586–1587). Together with Annibale and Ludovico he worked in Bologna on the fresco cycles in Palazzo Fava (Histories of Jason and Medea, 1584) and Palazzo Magnani (Histories of Romulus, 1590–1592). In 1592 he also painted the Communion of St. Jerome, now in the Pinacoteca di Bologna and considered his masterwork. From 1586 is his altarpiece of the Madonna with Child and Saints, in the National Gallery of Parma.

In 1598 Carracci joined his brother Annibale in Rome, to collaborate on the decoration of the Gallery in Palazzo Farnese. From 1598–1600 is a triple Portrait, now in Naples, an example of genre painting.

In 1600 he was called to Parma by Duke Ranuccio I Farnese to began the decoration of the Palazzo del Giardino, but he died before it was finished.

Agostino's son Antonio Carracci was also a painter, and attempted to compete with his father's Academy.


  • Head of a Faun in a Concave (drawing in roundel, c. 1595, National Gallery of Art, Washington DC)
  • The Penitent Magdalen (Private collection)
  • The Annunciation , Musée du Louvre, Paris
  • The Lamentation , Hermitage, St. Petersburg
  • The Satyr Mason

Erotic work of Agostino Carracci


Historians such as Francis Haskell in Taste and the Antique argue that these engravings were in fact done by Camillo Procaccini.

Image:Carracci Achille et Briseis.jpg|Achille et Briseis Image:Paris et Oenone.jpg|Paris et Oenone Image:Carracci Antoine et Cleopatre.jpg|Antoine et Cleopatre Image:Ovide et Corine.jpg|Ovide et Corine Image:Carracci Jupiter et Junon.jpg|Jupiter et Junon Image:Carracci Angelique et Medor.jpg|Angelique et Medor Image:AlcibiadeGlycere.jpg|Alcibiade et Glycere Image:BachusAriane.jpg|Bachus et Ariane Image:EneeDidon.jpg|Enee et Didon Image:CultePriape.jpg|Culte de Priape Image:Carracci05.jpg|Julie avec un athlète Image:Carracci Venus Genitrice.jpg|Venus Génitrice Image:Carracci Le Satyre et la Nymphe.jpg|Le Satyre et la Nymphe Image:HerculeDejanire.jpg|Hercule et Dejanire Image:MarsVenus.jpg|Mars et Venus Image:MessalineLisisca.jpg|Messaline dans la loge de Lisisca Image:Pandore.jpg|Pandore Image:PolyenosChrisis.jpg|Polyenos et Chrisis Image:SatyreFemme.jpg|Le satire et sa femme

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