Ad Reinhardt
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Featured: A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933) |
Reinhardt's earliest exhibited paintings avoided representation, but show a steady progression away from objects and external reference. His work progressed from compositions of geometrical shapes in the 40s to works in different shades of the same color (all red, all blue, all white) in the 50s.
Reinhardt is best known for his so-called "black" paintings of the 1960s, which appear at first glance to be simply canvanses painted black but are actually composed of black and nearly black shades. Among many other suggestions, these paintings ask if there can be such a thing as an absolute, even in black, which some viewers may not consider a color at all.
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Ad Reinhardt" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
