User:Goetzkluge  

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Goetz Kluge, 2010-03-21 Goetz Kluge, 2010-03-21
-PS: [[User:Goetzkluge/Cigar|A cigar sometimes isn't just a cigar]]+PS: [[User:Goetzkluge/Cigar|Three selected images]]

Revision as of 23:04, 26 March 2010

Arts links from my bookmarks

http://www.groeg.de | http://www.marcusberkmann.de | http://www.hamlet-x.de | my trumpet | my chancellor | my friends | manga (especially insect manga 1 and 2) | http://www.fantasyfilmfest.com | music | Japanese children books: nihonteki and from my collection and ghosts and monsters

Snark

Left: Henry Holiday's depiction of the Baker's uncle (in Lewis Carroll's The Hunting of the Snark, 1876) with some of the Baker's 42 boxes outside of the window. Right top: John Everett Milais: Christ in the House of his Parents (aka The Carpenter's Shop, 1850, Pre-Raphaelite) with a flock of sheep outside of the window symbolizing the the laity). Right bottom: Edward VI and the Pope: An Allegory of Reformation (mirrored view, 16th century) with a violent scene of the reformation depicted outside of the window. Thomas Cranmer is second from left under the window. I think, Millais quoted from the 16th century painting: The red flower in Millais' window corresponds to a mutilated body visible through window in the 16th century painting. And Holiday (who perhaps understood Millais' quotes) quoted from Millais' painting as well as from the 16th century painting.
Enlarge
Left: Henry Holiday's depiction of the Baker's uncle (in Lewis Carroll's The Hunting of the Snark, 1876) with some of the Baker's 42 boxes outside of the window.
Right top: John Everett Milais: Christ in the House of his Parents (aka The Carpenter's Shop, 1850, Pre-Raphaelite) with a flock of sheep outside of the window symbolizing the the laity).
Right bottom: Edward VI and the Pope: An Allegory of Reformation (mirrored view, 16th century) with a violent scene of the reformation depicted outside of the window. Thomas Cranmer is second from left under the window.

I think, Millais quoted from the 16th century painting: The red flower in Millais' window corresponds to a mutilated body visible through window in the 16th century painting. And Holiday (who perhaps understood Millais' quotes) quoted from Millais' painting as well as from the 16th century painting.
In my job since some time I use one of Henry Holiday's illustrations to The Hunting of the Snark in presentations on workload issues (as defined in ISO 10075). In December 2008 I accidentally discovered that Henry Holiday quoted from the etching The Image Breakers (or Allegory of Iconoclasm, c. 1566-1568) by Marcus Gheeraerts the Elder. That is how http://holiday.snrk.de/ started.

I assume, that Lewis Carroll's and Henry Holiday's The Hunting of the Snark is about belief and legitimate disputes (Snark) as well as about violent fanaticism (Boojum), especially with regard to the history of Anglicanism.

Articles for Snarkhunting:

Questions:

  • With regard to Image:DarwinHunting480.jpg, was it possible, that Carroll and/or Holiday had access to Darwin's famous "I think"-sketch of the evolutionary tree already before Darwin's notebook was made available to a wider public? (I got contradicting answers from Darwin specialists.)

Other articles:

Goetz Kluge, 2010-03-21

PS: Three selected images

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