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Right top: John Everett Milais: ''Christ in the House of his Parents'' (aka ''The Carpenter's Shop'', 1850, Pre-Raphaelite) with a flock of sheep outside of the window symbolizing the the laity).<br> Right top: John Everett Milais: ''Christ in the House of his Parents'' (aka ''The Carpenter's Shop'', 1850, Pre-Raphaelite) with a flock of sheep outside of the window symbolizing the the laity).<br>
Right bottom: ''Edward VI and the Pope: An Allegory of Reformation'' (mirrored view, 16<small><sup>th</sup></small> century) with a violence scene of the reformation depicted outside of the window.<br><br> Right bottom: ''Edward VI and the Pope: An Allegory of Reformation'' (mirrored view, 16<small><sup>th</sup></small> century) with a violence scene of the reformation depicted outside of the window.<br><br>
-I think, Millais quoted from the 16<small><sup>th</sup></small> century painting: The red flower in Millais' window corresponds with a mutilated body visible through window in the 16<small><sup>th</sup></small> century painting. And Holiday (who perhaps understood Millais' quotes) quoted from Millais' painting as well as from the 16<small><sup>th</sup></small> century painting.]]+I think, Millais quoted from the 16<small><sup>th</sup></small> century painting: The red flower in Millais' window corresponds to a mutilated body visible through window in the 16<small><sup>th</sup></small> century painting. And Holiday (who perhaps understood Millais' quotes) quoted from Millais' painting as well as from the 16<small><sup>th</sup></small> century painting.]]
[http://groups.yahoo.com/group/TheHuntingOfTheSnark/links/Admin_s_Bookmarks_001263500322/_11__www_artandpopularculture_com_001267286232/ Articles for Snarkhunting]: [http://groups.yahoo.com/group/TheHuntingOfTheSnark/links/Admin_s_Bookmarks_001263500322/_11__www_artandpopularculture_com_001267286232/ Articles for Snarkhunting]:
*[[The Hunting of the Snark]] *[[The Hunting of the Snark]]

Revision as of 23:19, 21 March 2010

 Left: Henry Holiday's depiction of the Baker's uncle (in Lewis Carroll's The Hunting of the Snark, 1876) with some of the Baker's 42 boxes outside of the window. Right top: John Everett Milais: Christ in the House of his Parents (aka The Carpenter's Shop, 1850, Pre-Raphaelite) with a flock of sheep outside of the window symbolizing the the laity). Right bottom: Edward VI and the Pope: An Allegory of Reformation (mirrored view, 16th century) with a violence scene of the reformation depicted outside of the window. I think, Millais quoted from the 16th century painting: The red flower in Millais' window corresponds to a mutilated body visible through window in the 16th century painting. And Holiday (who perhaps understood Millais' quotes) quoted from Millais' painting as well as from the 16th century painting.
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Left: Henry Holiday's depiction of the Baker's uncle (in Lewis Carroll's The Hunting of the Snark, 1876) with some of the Baker's 42 boxes outside of the window.
Right top: John Everett Milais: Christ in the House of his Parents (aka The Carpenter's Shop, 1850, Pre-Raphaelite) with a flock of sheep outside of the window symbolizing the the laity).
Right bottom: Edward VI and the Pope: An Allegory of Reformation (mirrored view, 16th century) with a violence scene of the reformation depicted outside of the window.

I think, Millais quoted from the 16th century painting: The red flower in Millais' window corresponds to a mutilated body visible through window in the 16th century painting. And Holiday (who perhaps understood Millais' quotes) quoted from Millais' painting as well as from the 16th century painting.

Articles for Snarkhunting:

Other articles:

Goetz Kluge, 2010-03-21

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