Ugly woman
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== References == | == References == | ||
- | *[[The Ugly Woman|The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque]]( 2005) by Patrizia Bettella | + | *''[[The Ugly Woman|The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque]]''( 2005) by Patrizia Bettella |
*''[[On_Ugliness#The_Ugliness_of_Woman_from_Antiquity_to_the_Baroque_Period|On Ugliness]]'' (2007) by [[Umberto Eco]]. | *''[[On_Ugliness#The_Ugliness_of_Woman_from_Antiquity_to_the_Baroque_Period|On Ugliness]]'' (2007) by [[Umberto Eco]]. | ||
*''The Female [[Grotesque]]: Risk, Excess and Modernity'' (1994) - [[Mary J. Russo]] | *''The Female [[Grotesque]]: Risk, Excess and Modernity'' (1994) - [[Mary J. Russo]] | ||
*[[Horror and the Monstrous Feminine]] by [[Barbara Creed]]. | *[[Horror and the Monstrous Feminine]] by [[Barbara Creed]]. | ||
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The ugly woman is a surprisingly common figure in Italian poetry, one that has been frequently appropriated by male poetic imagination to depict moral, aesthetic, social, and racial boundaries.
See also
References
- The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque( 2005) by Patrizia Bettella
- On Ugliness (2007) by Umberto Eco.
- The Female Grotesque: Risk, Excess and Modernity (1994) - Mary J. Russo
- Horror and the Monstrous Feminine by Barbara Creed.
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