Ugly woman
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| The [[ugly]] [[woman]] is a surprisingly common figure in Italian poetry, one that has been frequently appropriated by male poetic imagination to depict moral, aesthetic, social, and racial boundaries. | The [[ugly]] [[woman]] is a surprisingly common figure in Italian poetry, one that has been frequently appropriated by male poetic imagination to depict moral, aesthetic, social, and racial boundaries. | ||
| - | *[[The Ugly Woman|The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque]]( 2005) by Patrizia Bettella | ||
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| == References == | == References == | ||
| + | *[[The Ugly Woman|The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque]]( 2005) by Patrizia Bettella | ||
| *''[[On_Ugliness#The_Ugliness_of_Woman_from_Antiquity_to_the_Baroque_Period|On Ugliness]]'' by [[Umberto Eco]]. | *''[[On_Ugliness#The_Ugliness_of_Woman_from_Antiquity_to_the_Baroque_Period|On Ugliness]]'' by [[Umberto Eco]]. | ||
| *''The Female [[Grotesque]]: Risk, Excess and Modernity'' (1994) - [[Mary J. Russo]] | *''The Female [[Grotesque]]: Risk, Excess and Modernity'' (1994) - [[Mary J. Russo]] | ||
| *[[Horror and the Monstrous Feminine]] by [[Barbara Creed]]. | *[[Horror and the Monstrous Feminine]] by [[Barbara Creed]]. | ||
| {{GFDL}} | {{GFDL}} | ||
Revision as of 14:47, 5 January 2008
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The ugly woman is a surprisingly common figure in Italian poetry, one that has been frequently appropriated by male poetic imagination to depict moral, aesthetic, social, and racial boundaries.
See also
References
- The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque( 2005) by Patrizia Bettella
- On Ugliness by Umberto Eco.
- The Female Grotesque: Risk, Excess and Modernity (1994) - Mary J. Russo
- Horror and the Monstrous Feminine by Barbara Creed.
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