Tronie
From The Art and Popular Culture Encyclopedia
| Revision as of 06:43, 6 October 2010 Jahsonic (Talk | contribs) ← Previous diff |
Revision as of 20:44, 7 May 2011 Jahsonic (Talk | contribs) Next diff → |
||
| Line 1: | Line 1: | ||
| {{Template}} | {{Template}} | ||
| - | A '''tronie''' ([[Dutch language|Dutch]] for a "face") is a common type of [[Dutch Baroque painting|Dutch]] and [[Flemish Baroque painting]] that shows an exaggerated [[facial expression]] or a [[stock character]] in costume. Typically a painted head or bust only, if concentrating on the facial expression, but often half-length if an exotic costume featured, they might be based on studies from life or use the features of actual sitters. But the image would normally be sold on the art market without identification of the sitter, and would not have been commissioned and retained by the sitter as [[portrait]]s normally were. Several [[Rembrandt]] [[self-portrait]] [[etching]]s are tronies, as are paintings of himself, his son and his women. (This is true of modern art-historical terminology; however, historical usage is not so precise. Seventeenth-century Dutch and Flemish inventories of paintings might use the term for any [[unidentified]] [[sitter]]. Three [[Vermeer]] paintings were described as "tronies" in the [[Dissius]] auction of [[1696]], perhaps including the ''[[Girl with a Pearl Earring]]'' and the Washington ''[[Girl with a flute]]''. | + | A '''tronie''' ([[Dutch language|Dutch]] for a "face") is a common type, or group of types, of works of [[Dutch Golden Age painting]] and [[Flemish Baroque painting]] that shows an exaggerated [[facial expression]] or a [[stock character]] in costume. In contemporary usage the term might cover any picture of an unidentified sitter, but in modern art-historical usage it is typically restricted to figures who do not seem to have been intended to be identifiable, so [[genre painting]] in a portrait format. Typically a painted head or bust only, if concentrating on the facial expression, but often half-length if an exotic costume featured, they might be based on studies from life or use the features of actual sitters. But the image would normally be sold on the art market without identification of the sitter, and would not have been commissioned and retained by the sitter as [[portrait]]s normally were. Similar unidentified figures treated as [[history painting]]s would normally be given a title from the classical world, for example the Rembrandt painting now known as ''Saskia as Flora''. |
| - | The tronie is related to, and has some overlap with, the "portrait historié", a portrait of a real person '''as''' another, usually historical or [[mythological]], figure. [[Jan de Bray]] specialised in these, and many portraitists sometimes showed aristocratic ladies in particular as mythological figures. | + | Several [[Rembrandt]] [[self-portrait]] [[etching]]s are tronies, as are paintings of himself, his son and his women. <!--<ref>This is true of modern art-historical terminology; however, historical usage is not so precise. Seventeenth-century Dutch and Flemish inventories of paintings might use the term for any unidentified sitter.</ref>--> Three [[Vermeer]] paintings were described as "tronies" in the [[Dissius]] auction of [[1696]], perhaps including the ''[[Girl with a Pearl Earring]]'' and the Washington ''[[Girl with a flute]]''. [[Frans Hals]] also painted a number of tronies, which are now among his best-known works (see gallery). |
| + | |||
| + | The tronie is related to, and has some overlap with, the "portrait historié", a portrait of a real person '''as''' another, usually historical or [[mythological]], figure. [[Jan de Bray]] specialised in these, and many portraitists sometimes showed aristocratic ladies in particular as mythological figures. | ||
| [[Joos van Craesbeeck]]'s ''[[The Smoker]]'', similar to many paintings by [[Adriaen Brouwer]], is an example of a "tronie". | [[Joos van Craesbeeck]]'s ''[[The Smoker]]'', similar to many paintings by [[Adriaen Brouwer]], is an example of a "tronie". | ||
Revision as of 20:44, 7 May 2011
|
Related e |
|
Featured: |
A tronie (Dutch for a "face") is a common type, or group of types, of works of Dutch Golden Age painting and Flemish Baroque painting that shows an exaggerated facial expression or a stock character in costume. In contemporary usage the term might cover any picture of an unidentified sitter, but in modern art-historical usage it is typically restricted to figures who do not seem to have been intended to be identifiable, so genre painting in a portrait format. Typically a painted head or bust only, if concentrating on the facial expression, but often half-length if an exotic costume featured, they might be based on studies from life or use the features of actual sitters. But the image would normally be sold on the art market without identification of the sitter, and would not have been commissioned and retained by the sitter as portraits normally were. Similar unidentified figures treated as history paintings would normally be given a title from the classical world, for example the Rembrandt painting now known as Saskia as Flora.
Several Rembrandt self-portrait etchings are tronies, as are paintings of himself, his son and his women. Three Vermeer paintings were described as "tronies" in the Dissius auction of 1696, perhaps including the Girl with a Pearl Earring and the Washington Girl with a flute. Frans Hals also painted a number of tronies, which are now among his best-known works (see gallery).
The tronie is related to, and has some overlap with, the "portrait historié", a portrait of a real person as another, usually historical or mythological, figure. Jan de Bray specialised in these, and many portraitists sometimes showed aristocratic ladies in particular as mythological figures.
Joos van Craesbeeck's The Smoker, similar to many paintings by Adriaen Brouwer, is an example of a "tronie".
See also
