Trompe-l'œil  

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 +[[Image:Reverse Side Of a Painting.jpg|thumb|right|200px|''[[Reverse Side of a Painting]]'' (1670) by [[Cornelis Norbertus Gysbrechts]]]]
 +[[Image:The Winter (1563) by Arcimboldo in the Kunsthistorisches Museum Wien.jpg |thumb|left|200px|''[[The Winter]]'' (1563) by [[Giuseppe Arcimboldo|Arcimboldo]]]]
 +[[Image:All is vanity.jpg|thumb|200px|''[[All is Vanity]]'' ([[1892]]) by [[Charles Allan Gilbert]]]]
 +[[Image:The Unswept Floor.jpg|thumb|right|200px|Illustration: ''[[The Unswept Floor]]'' (detail)]]
 +[[Image:Venus_Rising_from_the_Sea_—_A_Deception.jpg|thumb|right|200px|''[[Venus Rising from the Sea — A Deception]]'' (c. 1822) by American painter [[Raphaelle Peale]].]]
{{Template}} {{Template}}
-:''[[Arcimboldo]]'' 
'''Trompe-l'œil''' is an [[art]] technique involving extremely realistic imagery in order to create the [[optical illusion]] that the depicted objects really exist, instead of actually being a two-dimensional painting. The name is derived from [[French language|French]] for "trick the eye", from ''tromper'' - to deceive and ''l'œil'' - the eye. '''Trompe-l'œil''' is an [[art]] technique involving extremely realistic imagery in order to create the [[optical illusion]] that the depicted objects really exist, instead of actually being a two-dimensional painting. The name is derived from [[French language|French]] for "trick the eye", from ''tromper'' - to deceive and ''l'œil'' - the eye.
 +
 +==History in painting==
 +
 +Although the phrase has its origin in the [[Baroque]] period, when it refers to perspectival illusionism, use of trompe-l'œil dates back much further. It was (and is) often employed in [[mural]]s. Instances from Greek and Roman times are known, for instance in [[Pompeii]]. A typical trompe-l'œil mural might depict a window, door, or hallway, intended to suggest a larger room.
 +
 +A version of an oft-told [[ancient Greece|ancient Greek]] [[The contest of Zeuxis and Parrhasius|story]] concerns a contest between two renowned painters. [[Zeuxis]] (born around 464 BC) produced a still life painting so convincing, that birds flew down from the sky to peck at the painted grapes. He then asked his rival, [[Parrhasius (painter)|Parrhasius]], to pull back a pair of very tattered curtains in order to judge the painting behind them. Parrhasius won the contest, as his painting was of the curtains themselves.
 +
 +With the superior understanding of [[perspective (graphical)|perspective drawing]] achieved in the [[Renaissance]], Italian painters of the late [[Quattrocento]] such as [[Andrea Mantegna]] (1431 - 1506) and [[Melozzo da Forlì]] (1438 - 1494), began painting [[illusionistic ceiling painting]]s, generally in [[fresco]], that employed perspective and techniques such as foreshortening in order to give the impression of greater space to the viewer below. This type of trompe l'œil illusionism as specifically applied to ceiling paintings is known as ''[[illusionistic ceiling painting#Di sotto in sù|di sotto in sù]]'', meaning ''from below, upward'' in Italian. The elements above the viewer are rendered as if viewed from true vanishing point perspective. Well-known examples are the [[Camera degli Sposi]] in [[Mantua]] and [[Antonio da Correggio]]'s (1489 –1534) ''Assumption of the Virgin'' in the Duomo of [[Parma]].
 +Similarly, [[Vittorio Carpaccio]] (1460 – 1525) and [[Jacopo de' Barbari]] (c.1440–before 1516) added small trompe-l'œil features to their paintings, playfully exploring the boundary between image and reality. For example, a [[fly]] might appear to be sitting on the painting's frame, or a curtain might appear to partly conceal the painting, a piece of paper might appear to be attached to a board, or a person might appear to be climbing out of the painting altogether—all in reference to [[the contest of Zeuxis and Parrhasius]]. In a 1964 seminar, the psychoanalyst and theorist [[Jacques Lacan]] (1901 –1981) observed that the myth of the two painters reveals an interesting aspect of human cognition. While animals are attracted to superficial appearances, humans are enticed by the idea of that which is hidden.
 +
 +Perspective theories in the 17th-century allowed a more fully integrated approach to architectural illusion, which when used by painters to "open up" the space of a wall or ceiling is known as ''[[illusionistic ceiling painting#Quadratura|quadratura]]''. Examples include [[Pietro da Cortona]]'s ''[[Allegory of Divine Providence]]'' in the [[Palazzo Barberini]] and [[Andrea Pozzo]]'s ''[[Apotheosis of St Ignatius]]'' [4] on the ceiling of the Roman church of [[Sant'Ignazio]].
 +
 +The [[mannerism|mannerist]] and [[Baroque]] style interiors of [[Jesuit]] churches in the 16th and 17th-century often included such trompe-l'œil ceiling paintings, which optically 'open' the ceiling or dome to the heavens with a depiction of [[Jesus]]', [[Mary, mother of Jesus|Mary]]'s, or a saint's ascension or assumption. An example of a perfect architectural trompe-l'œil is the illusionistic dome in the Jesuit church, Vienna, by [[Andrea Pozzo]] , which is only slightly curved but gives the impression of true architecture.
 +
 +A fanciful form of architectural Trompe-l'œil is known as [[quodlibet]] which features realistically rendered paintings of such items as paper-knives, playing-cards, ribbons and scissors, apparently accidentally left lying around, painted on walls.
 +
 +Trompe-l'œil can also be found painted on tables and other items of furniture, on which, for example, a deck of playing cards might appear to be sitting on the table. A particularly impressive example can be seen at [[Chatsworth House]] in [[Derbyshire]], where one of the internal doors appears to have a violin and bow suspended from it, in a trompe l'œil painted around 1723 by Jan van der Vaart.
 +The American 19th century still-life painter [[William Harnett]] specialized in trompe-l'œil. In the 20th century, from the 1960s on, the American [[Richard Haas]] and many others painted large trompe-l'œil murals on the sides of city buildings, and from beginning of the 1980s when German Artist [[Rainer Maria Latzke]] began to combine classical fresco art with contemporary content trompe-l'œil became increasingly popular for interior murals.
 +
 +==In other artforms==
 +
 +Trompe-l'œil is employed in [[Donald O'Connor]]'s famous "Running up the wall" scene in the film ''[[Singin' in the Rain (film)|Singin' in the Rain]]''. During the finale of his "Make 'em Laugh" number he first runs up a real wall. Then he runs towards what appears to be a hallway, but when he runs up this as well we realize that it is a large trompe-l'œil mural. More recently, [[Roy Andersson]] has made use of similar techniques in his feature films.
 +
 +Another variant of trompe-l'œil is [[matte painting]], a technique used in filmmaking where parts of a complicated scenery are painted on glass panels which are mounted in front of the camera during shooting of the scene. This was for instance used in early [[Star Wars]] movies.
 +
 +Fictional trompe-l'œil is featured in many [[Looney Tunes]], such as the [[Road Runner cartoon]]s, where, for example, Wile E. Coyote paints a tunnel on a rock wall, and the Road runner then races through the fake tunnel. This is usually followed by the coyote's foolishly trying to run through the tunnel after the road runner, only to smash into the hard rock-face. This [[Visual gag|sight gag]] was employed in ''[[Who Framed Roger Rabbit]]''.
 +
 +On [[Chicago]]’s [[Near North Side, Chicago|Near North Side]], a 16-story 1929 apartment hotel converted into a 1981 apartment building, was used by [[Richard Haas]] for trompe-l'œil murals in homage to [[Chicago school (architecture)|Chicago School architecture]]. One of the building's sides features the [[Chicago Board of Trade Building]], intended as a reflection of the actual building two miles south.
 +
 +Trompe l´oeil, also known as illusion painting, is also used in contemporary interior design, where illusionary wall paintings experienced a Renaissance since around 1980. Significant artists in this field are the German muralist [[Rainer Maria Latzke]], who invented in the 90's a new method of producing illusion paintings, the [[Frescography]] and the English artist [[Graham Rust]].
 +
 +Today, [[Joanne Gair]] is a leader of this genre as a [[body painting]] specialist. Her paintings were featured for the tenth consecutive year in the 2008 [[Sports Illustrated Swimsuit Issue]]. She gained iconic status with the ''[[Demi's Birthday Suit]]'' ''[[Vanity Fair (magazine)|Vanity Fair]]'' cover of [[Demi Moore]] in 1992, and is possibly even more famous for her ''[[Disappearing Model]]'' in 2000, which was part of the highest rated episode of ''[[Ripley's Believe It or Not!]]'' to air on [[TBS (TV network)|TBS]].
 +
 +==Trivia==
 +[[George Washington]] was once fooled by a trompe-l'œil painting when he visited the studio of [[Charles Willson Peale]]. Upon entering a room containing on its far wall such a painting of someone descending a stair (apparently into the room), he is said to have bowed to the figure before he realized it was a painting. The painting, ''[[:File:Charles Willson Peale 001.jpg|Staircase Group]]'' showed two of Peale's sons.
 +
== Trompe-l'œil artists == == Trompe-l'œil artists ==
 +
'''[[Old Masters]]''' '''[[Old Masters]]'''
* [[Masaccio]] * [[Masaccio]]
Line 26: Line 67:
* [[Julian Beever]] * [[Julian Beever]]
-* [[Daniela Benedini]] 
-* [[Henri Cadiou]] 
-* [[Ronald Francis]] 
* [[Richard Haas]] * [[Richard Haas]]
-* [[Rainer Maria Latzke]] 
* [[István Orosz]] ([[Utisz]]) * [[István Orosz]] ([[Utisz]])
-* [[Jacques Poirier]]+==Examples==
-* [[Susan Powers]]+*[[Portrait of a Carthusian]], by Early Netherlandish painter Petrus Christus in 1446, notable for its fly.
-* [[John Pugh (artist)|John Pugh]]+*''[[Eine Kunstkammer]]'' (1636) and [[Kleinodien-Schrank]] (1666) by [[Georg Hainz]] by [[Frans Francken II]], two preziosenwände
-* [[Pierre-Marie Rudelle]]+*[[Reverse Side of a Painting]], an oil on canvas by Cornelis Norbertus Gysbrechts, depicting the verso side of an oil on canvas
-* [[Graham Rust]]+*[[Still-Life with Partridge and Iron Gloves]] (1504) by the Italian artist Jacopo de' Barbari
-* [[Anthony Waichulis]]+*[[Basket of Fruit (Caravaggio)]], early trompe l'oeil still life
-* [[Sara Watson]] +*[[Intarsia]], a wood inlay technique, many of these works were trompe l'oeils
-* [[Asha Zero]]+*[[Venus Rising from the Sea — A Deception]] (c. 1822) by American painter Raphaelle Peale
-* [[Kurt Wenner]]+*[[Escaping Criticism]] (1874), by Spanish painter Pere Borrell del Caso, a classic example of the trompe l'oeil
-* [[Ellen Altfest]]+
 +==See also==
 +*[[Cabinet painting]]
 +*[[Gallery painting]]
 +*[[Trompe l'oeil fly]]
 +*[[Wall-rack pictures]]
 +*[[The contest of Zeuxis and Parrhasius]]
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Trompe-l'œil is an art technique involving extremely realistic imagery in order to create the optical illusion that the depicted objects really exist, instead of actually being a two-dimensional painting. The name is derived from French for "trick the eye", from tromper - to deceive and l'œil - the eye.

Contents

History in painting

Although the phrase has its origin in the Baroque period, when it refers to perspectival illusionism, use of trompe-l'œil dates back much further. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical trompe-l'œil mural might depict a window, door, or hallway, intended to suggest a larger room.

A version of an oft-told ancient Greek story concerns a contest between two renowned painters. Zeuxis (born around 464 BC) produced a still life painting so convincing, that birds flew down from the sky to peck at the painted grapes. He then asked his rival, Parrhasius, to pull back a pair of very tattered curtains in order to judge the painting behind them. Parrhasius won the contest, as his painting was of the curtains themselves.

With the superior understanding of perspective drawing achieved in the Renaissance, Italian painters of the late Quattrocento such as Andrea Mantegna (1431 - 1506) and Melozzo da Forlì (1438 - 1494), began painting illusionistic ceiling paintings, generally in fresco, that employed perspective and techniques such as foreshortening in order to give the impression of greater space to the viewer below. This type of trompe l'œil illusionism as specifically applied to ceiling paintings is known as di sotto in sù, meaning from below, upward in Italian. The elements above the viewer are rendered as if viewed from true vanishing point perspective. Well-known examples are the Camera degli Sposi in Mantua and Antonio da Correggio's (1489 –1534) Assumption of the Virgin in the Duomo of Parma. Similarly, Vittorio Carpaccio (1460 – 1525) and Jacopo de' Barbari (c.1440–before 1516) added small trompe-l'œil features to their paintings, playfully exploring the boundary between image and reality. For example, a fly might appear to be sitting on the painting's frame, or a curtain might appear to partly conceal the painting, a piece of paper might appear to be attached to a board, or a person might appear to be climbing out of the painting altogether—all in reference to the contest of Zeuxis and Parrhasius. In a 1964 seminar, the psychoanalyst and theorist Jacques Lacan (1901 –1981) observed that the myth of the two painters reveals an interesting aspect of human cognition. While animals are attracted to superficial appearances, humans are enticed by the idea of that which is hidden.

Perspective theories in the 17th-century allowed a more fully integrated approach to architectural illusion, which when used by painters to "open up" the space of a wall or ceiling is known as quadratura. Examples include Pietro da Cortona's Allegory of Divine Providence in the Palazzo Barberini and Andrea Pozzo's Apotheosis of St Ignatius [4] on the ceiling of the Roman church of Sant'Ignazio.

The mannerist and Baroque style interiors of Jesuit churches in the 16th and 17th-century often included such trompe-l'œil ceiling paintings, which optically 'open' the ceiling or dome to the heavens with a depiction of Jesus', Mary's, or a saint's ascension or assumption. An example of a perfect architectural trompe-l'œil is the illusionistic dome in the Jesuit church, Vienna, by Andrea Pozzo , which is only slightly curved but gives the impression of true architecture.

A fanciful form of architectural Trompe-l'œil is known as quodlibet which features realistically rendered paintings of such items as paper-knives, playing-cards, ribbons and scissors, apparently accidentally left lying around, painted on walls.

Trompe-l'œil can also be found painted on tables and other items of furniture, on which, for example, a deck of playing cards might appear to be sitting on the table. A particularly impressive example can be seen at Chatsworth House in Derbyshire, where one of the internal doors appears to have a violin and bow suspended from it, in a trompe l'œil painted around 1723 by Jan van der Vaart. The American 19th century still-life painter William Harnett specialized in trompe-l'œil. In the 20th century, from the 1960s on, the American Richard Haas and many others painted large trompe-l'œil murals on the sides of city buildings, and from beginning of the 1980s when German Artist Rainer Maria Latzke began to combine classical fresco art with contemporary content trompe-l'œil became increasingly popular for interior murals.

In other artforms

Trompe-l'œil is employed in Donald O'Connor's famous "Running up the wall" scene in the film Singin' in the Rain. During the finale of his "Make 'em Laugh" number he first runs up a real wall. Then he runs towards what appears to be a hallway, but when he runs up this as well we realize that it is a large trompe-l'œil mural. More recently, Roy Andersson has made use of similar techniques in his feature films.

Another variant of trompe-l'œil is matte painting, a technique used in filmmaking where parts of a complicated scenery are painted on glass panels which are mounted in front of the camera during shooting of the scene. This was for instance used in early Star Wars movies.

Fictional trompe-l'œil is featured in many Looney Tunes, such as the Road Runner cartoons, where, for example, Wile E. Coyote paints a tunnel on a rock wall, and the Road runner then races through the fake tunnel. This is usually followed by the coyote's foolishly trying to run through the tunnel after the road runner, only to smash into the hard rock-face. This sight gag was employed in Who Framed Roger Rabbit.

On Chicago’s Near North Side, a 16-story 1929 apartment hotel converted into a 1981 apartment building, was used by Richard Haas for trompe-l'œil murals in homage to Chicago School architecture. One of the building's sides features the Chicago Board of Trade Building, intended as a reflection of the actual building two miles south.

Trompe l´oeil, also known as illusion painting, is also used in contemporary interior design, where illusionary wall paintings experienced a Renaissance since around 1980. Significant artists in this field are the German muralist Rainer Maria Latzke, who invented in the 90's a new method of producing illusion paintings, the Frescography and the English artist Graham Rust.

Today, Joanne Gair is a leader of this genre as a body painting specialist. Her paintings were featured for the tenth consecutive year in the 2008 Sports Illustrated Swimsuit Issue. She gained iconic status with the Demi's Birthday Suit Vanity Fair cover of Demi Moore in 1992, and is possibly even more famous for her Disappearing Model in 2000, which was part of the highest rated episode of Ripley's Believe It or Not! to air on TBS.

Trivia

George Washington was once fooled by a trompe-l'œil painting when he visited the studio of Charles Willson Peale. Upon entering a room containing on its far wall such a painting of someone descending a stair (apparently into the room), he is said to have bowed to the figure before he realized it was a painting. The painting, Staircase Group showed two of Peale's sons.

Trompe-l'œil artists

Old Masters

19th century and modern masters

Contemporary

Examples

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Trompe-l'œil" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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