Towards a Newer Laocoon  

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:"Purity in art consists in the acceptance, willing acceptance, of the limitations of the [[medium]] of the specific art" :"Purity in art consists in the acceptance, willing acceptance, of the limitations of the [[medium]] of the specific art"
-:"[[Shelley]] expressed this best when in his [[Déme of Poetry]] he exalted poetry above the other arts because its medium came closest, as [[Bosanquet]] puts it, to being no medium at all." +:"[[Shelley]] expressed this best when in his [[A Defence of Poetry]] he exalted poetry above the other arts because its medium came closest, as [[Bosanquet]] puts it, to being no medium at all."
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Illustration: Laocoön and His Sons ("Clamores horrendos" detail), photo by Marie-Lan Nguyen.
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Illustration: Laocoön and His Sons ("Clamores horrendos" detail), photo by Marie-Lan Nguyen.

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Laocoon

"Towards a Newer Laocoon" (1940) is an essay by Clement Greenberg, first published in the Partisan Review. The title references the text "Laocoon: An Essay on the Limits of Painting and Poetry" (1766) by Lessing and "The New Laokoön" (1910) by Irving Babbitt.

"Purity in art consists in the acceptance, willing acceptance, of the limitations of the medium of the specific art"
"Shelley expressed this best when in his A Defence of Poetry he exalted poetry above the other arts because its medium came closest, as Bosanquet puts it, to being no medium at all."




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