Towards a Newer Laocoon  

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[[Image:Laocoön Group, Clamores horrendos detail, photo by Marie-Lan Nguyen (2009).jpg|thumb|right|200px|Illustration: ''[[Laocoön and His Sons]]'' ("[[Clamores horrendos]]" detail), photo by Marie-Lan Nguyen.]]{{Template}} [[Image:Laocoön Group, Clamores horrendos detail, photo by Marie-Lan Nguyen (2009).jpg|thumb|right|200px|Illustration: ''[[Laocoön and His Sons]]'' ("[[Clamores horrendos]]" detail), photo by Marie-Lan Nguyen.]]{{Template}}
:''[[Laocoon]]'' :''[[Laocoon]]''
-"[[Towards a Newer Laocoon]]" is an essay by [[Clement Greenberg]] first published in the ''[[Partisan Review]]'' of 1940.+"[[Towards a Newer Laocoon]]" is an essay by [[Clement Greenberg]] first published in the ''[[Partisan Review]]'' of 1940. The title references "[[Laocoon: An Essay on the Limits of Painting and Poetry]]" (1766) by Lessing and "[[The New Laokoön]]" (1910) by Irving Babbitt.
:"Purity in art consists in the acceptance, willing acceptance, of the limitations of the [[medium]] of the specific art" :"Purity in art consists in the acceptance, willing acceptance, of the limitations of the [[medium]] of the specific art"
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Illustration: Laocoön and His Sons ("Clamores horrendos" detail), photo by Marie-Lan Nguyen.
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Illustration: Laocoön and His Sons ("Clamores horrendos" detail), photo by Marie-Lan Nguyen.

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"Towards a Newer Laocoon" is an essay by Clement Greenberg first published in the Partisan Review of 1940. The title references "Laocoon: An Essay on the Limits of Painting and Poetry" (1766) by Lessing and "The New Laokoön" (1910) by Irving Babbitt.

"Purity in art consists in the acceptance, willing acceptance, of the limitations of the medium of the specific art"




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Towards a Newer Laocoon" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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