The Uncanny (Mike Kelley)
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| - | :''[[The Uncanny]], [[Mike Kelley)]]'' | + | |
| - | Taking [[The Uncanny (Freud)|Freud's idea of the Uncanny]] as a starting point, artist Mike Kelley plays Sunday curator and presents work by [[Jasper Johns]], [[Paul McCarthy]], [[Jeff Koons]], [[Tony Oursler]], and others (reprinted from a 1993 catalogue), plus photos of chewing gum wrappers, postcards, record covers, and toys, all connected to ideas of youth and the Uncanny. Essays by Mike Kelley, [[Christoph Grunenberg]]. | + | '''Mike Kelley: The Uncanny''' (20 February - 3 May 2004) was an exhibition at the [[Tate Liverpool]], curated by American artist [[Mike Kelley]]. |
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| + | The show took [[The Uncanny (Freud)|Freud's idea of the Uncanny]] as a starting point and presented work by such artists as [[Jasper Johns]], [[Paul McCarthy]], [[Jeff Koons]] and [[Tony Oursler]]. It also included photos of chewing gum wrappers, postcards, record covers, and toys. | ||
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| + | Other items on display were ''[[Chair, Table and Hat Stand |Chair]]'' by Allen Jones, [[Cynthia Plaster Caster]]'s penis moulds, the [[Chapman Brothers]]’ [[Ubermensch (Jake and Dinos Chapman)|Ubermensch]] and [[Napoleon's Death Mask]]. | ||
| + | ==See also== | ||
| + | *[[The Uncanny]] | ||
| + | *[[Mike Kelley]] | ||
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Mike Kelley: The Uncanny (20 February - 3 May 2004) was an exhibition at the Tate Liverpool, curated by American artist Mike Kelley.
The show took Freud's idea of the Uncanny as a starting point and presented work by such artists as Jasper Johns, Paul McCarthy, Jeff Koons and Tony Oursler. It also included photos of chewing gum wrappers, postcards, record covers, and toys.
Other items on display were Chair by Allen Jones, Cynthia Plaster Caster's penis moulds, the Chapman Brothers’ Ubermensch and Napoleon's Death Mask.
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See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Uncanny (Mike Kelley)" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
