The Uncanny (Mike Kelley)
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The show took [[The Uncanny (Freud)|Freud's idea of the Uncanny]] as a starting point and presented work by such artists as [[Jasper Johns]], [[Paul McCarthy]], [[Jeff Koons]] and [[Tony Oursler]]. It also included photos of chewing gum wrappers, postcards, record covers, and toys. | The show took [[The Uncanny (Freud)|Freud's idea of the Uncanny]] as a starting point and presented work by such artists as [[Jasper Johns]], [[Paul McCarthy]], [[Jeff Koons]] and [[Tony Oursler]]. It also included photos of chewing gum wrappers, postcards, record covers, and toys. | ||
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+ | Other items on display were ''[[Chair, Table and Hat Stand |Chair]]'' by Allen Jones, [[Cynthia Plaster Caster]]'s penis moulds, the [[Chapman Brothers]]’ [[Ubermensch (Jake and Dinos Chapman)|Ubermensch]] and [[Napoleon's Death Mask]]. | ||
==See also== | ==See also== | ||
*[[The Uncanny]] | *[[The Uncanny]] | ||
*[[Mike Kelley]] | *[[Mike Kelley]] | ||
{{GFDL}} | {{GFDL}} |
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Mike Kelley: The Uncanny (20 February - 3 May 2004) was an exhibition at the Tate, curated by American artist Mike Kelley.
The show took Freud's idea of the Uncanny as a starting point and presented work by such artists as Jasper Johns, Paul McCarthy, Jeff Koons and Tony Oursler. It also included photos of chewing gum wrappers, postcards, record covers, and toys.
Other items on display were Chair by Allen Jones, Cynthia Plaster Caster's penis moulds, the Chapman Brothers’ Ubermensch and Napoleon's Death Mask.
See also
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