The Painter of Modern Life
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| - | ''[[The Painter of Modern Life]]'' is the title of a series of [[essay]]s by [[Charles Baudelaire]] published in the French newspaper [[Le Figaro]] on [[November 26|26]], [[November 29|29 November]] and [[December 3|3 December]], [[1863]]. It is an early critique and appraisal of [[visual culture]] and the consumption thereof and concentrates on Dutch engraver [[Constantin Guys]]. | + | ''[[The Painter of Modern Life]]'' (French: Le peintre de la vie moderne) is the title of a series of articles by [[Constantin Guys]] published serially in Le Figaro of 1843. The [[essay]] by [[Charles Baudelaire]] published in the French newspaper [[Le Figaro]] on [[November 26|26]], [[November 29|29 November]] and [[December 3|3 December]], [[1863]] carries the same title. Baudelaire' essay is an early critique and appraisal of [[visual culture]] and its consumption and concentrates on Dutch engraver [[Constantin Guys]]. |
| == See also == | == See also == | ||
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The Painter of Modern Life (French: Le peintre de la vie moderne) is the title of a series of articles by Constantin Guys published serially in Le Figaro of 1843. The essay by Charles Baudelaire published in the French newspaper Le Figaro on 26, 29 November and 3 December, 1863 carries the same title. Baudelaire' essay is an early critique and appraisal of visual culture and its consumption and concentrates on Dutch engraver Constantin Guys.
See also
- Notes on mechanical reproducibility of artworks with regard to Baudelaire and Benjamin
- Baudelaire's art and literary criticism
- The Painting of Modern Life: Paris in the Art of Manet and his Followers by T. J. Clark
References
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