The Painter of Modern Life
From The Art and Popular Culture Encyclopedia
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| *[[Notes on mechanical reproducibility of artworks with regard to Baudelaire and Benjamin]] | *[[Notes on mechanical reproducibility of artworks with regard to Baudelaire and Benjamin]] | ||
| *[[Baudelaire's art and literary criticism]] | *[[Baudelaire's art and literary criticism]] | ||
| - | *[[The Painting of Modern Life: Paris in the Art of Manet and his Followers]] by [[T. J. Clark (historian) ]] | + | *''[[The Painting of Modern Life: Paris in the Art of Manet and his Followers]]'' by [[T. J. Clark]] |
| == References == | == References == | ||
| *[http://fr.wikisource.org/wiki/Le_Peintre_de_la_vie_moderne Le Peintre de la vie moderne] | *[http://fr.wikisource.org/wiki/Le_Peintre_de_la_vie_moderne Le Peintre de la vie moderne] | ||
| {{GFDL}} | {{GFDL}} | ||
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The Painter of Modern Life is the title of a series of essays by Charles Baudelaire published in the French newspaper Le Figaro on 26, 29 November and 3 December, 1863. It is an early critique and appraisal of visual culture and the consumption thereof and concentrates on Dutch engraver Constantin Guys.
See also
- Notes on mechanical reproducibility of artworks with regard to Baudelaire and Benjamin
- Baudelaire's art and literary criticism
- The Painting of Modern Life: Paris in the Art of Manet and his Followers by T. J. Clark
References
Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Painter of Modern Life" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
