The Painter of Modern Life
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| - | ''[[The Painter of Modern Life]]'' is the title of a series of [[essay]]s by [[Charles Baudelaire]] published in the French newspaper [[Le Figaro]] published [[November 26|26]], [[November 29|29 November]] and [[December 3|3 December]], [[1863]]. It is an early critique and appraisal of [[visual culture]] and the consumption thereof and concentrates on Dutch engraver [[Constantin Guys]]. See ''[[Baudelaire's art and literary criticism]]''. | + | ''[[The Painter of Modern Life]]'' is the title of a series of [[essay]]s by [[Charles Baudelaire]] published in the French newspaper [[Le Figaro]] on [[November 26|26]], [[November 29|29 November]] and [[December 3|3 December]], [[1863]]. It is an early critique and appraisal of [[visual culture]] and the consumption thereof and concentrates on Dutch engraver [[Constantin Guys]]. See ''[[Baudelaire's art and literary criticism]]''. |
| == See also == | == See also == | ||
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The Painter of Modern Life is the title of a series of essays by Charles Baudelaire published in the French newspaper Le Figaro on 26, 29 November and 3 December, 1863. It is an early critique and appraisal of visual culture and the consumption thereof and concentrates on Dutch engraver Constantin Guys. See Baudelaire's art and literary criticism.
See also
- Notes on mechanical reproducibility of artworks with regard to Baudelaire and Benjamin
- culture theory
- media theory
- reproduction
- aura
- aesthetics
- modernism
References
Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Painter of Modern Life" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
