The Great Cat Massacre
From The Art and Popular Culture Encyclopedia
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| The book containing this account, ''The Great Cat Massacre and Other Episodes in French Cultural History'', has become one of Darnton's most popular writings; it has been published in eighteen languages. | The book containing this account, ''The Great Cat Massacre and Other Episodes in French Cultural History'', has become one of Darnton's most popular writings; it has been published in eighteen languages. | ||
| - | Darnton describes how, as the apprentices suffered hard conditions, they came to resent the favours which their [[Master craftsman|masters]] gave to their [[cat]]s, and contrived to deal with the nuisance cats by slaughtering them so as to distress their masters. Darnton interprets this as an early form of [[Industrial action|workers' protest]]. (As may the wife in the story, who says she believes that "they were threatened by a more serious kind of insubordination" beyond the simple stoppage of work.)<ref>{{cite news | url=http://www.misterdann.com/earlyargreatcatmassacre.htm | title=The Great Cat Massacre and Other Episodes in French Cultural History | author=[[Robert Darnton]] | year=1989}}</ref> | + | Darnton describes how, as the apprentices suffered hard conditions, they came to resent the favours which their [[Master craftsman|masters]] gave to their [[cat]]s, and contrived to deal with the nuisance cats by slaughtering them so as to distress their masters. Darnton interprets this as an early form of [[Industrial action|workers' protest]]. (As may the wife in the story, who says she believes that "they were threatened by a more serious kind of insubordination" beyond the simple stoppage of work.) |
| The cats were a favourite of the printer's wife and were fed much better than the apprentices, who were in turn served "catfood" (rotting meat scraps). Aside from this, they were mistreated, beaten and exposed to cold and horrible weather. One of the apprentices imitated a cat by screaming like one for several nights, making the printer and his wife despair. Finally, the printer ordered the cats rounded up and dispatched. The apprentices did this, rounded up all the cats they could find, beat them half to death and held a 'trial'. They found the cats [[Witch Hunt| guilty of witchcraft]] and sentenced them to death by hanging. Darnton concluded: | The cats were a favourite of the printer's wife and were fed much better than the apprentices, who were in turn served "catfood" (rotting meat scraps). Aside from this, they were mistreated, beaten and exposed to cold and horrible weather. One of the apprentices imitated a cat by screaming like one for several nights, making the printer and his wife despair. Finally, the printer ordered the cats rounded up and dispatched. The apprentices did this, rounded up all the cats they could find, beat them half to death and held a 'trial'. They found the cats [[Witch Hunt| guilty of witchcraft]] and sentenced them to death by hanging. Darnton concluded: | ||
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| {{quote|The joke worked so well because the workers played so skillfully with a repertory of ceremonies and symbols. Cats suited their purposes perfectly. By smashing the spine of ''la grise'' they called the master's wife a witch and a slut, while at the same time making the master into a cuckold and a fool. It was [[Metonymy|metonymic]] insult, delivered by actions, not words, and it struck home because cats occupied a soft spot in the bourgeois way of life. Keeping pets was as alien to the workers as torturing animals was to the bourgeois. Trapped between incompatible sensitivities, the cats had the worst of both worlds.}} | {{quote|The joke worked so well because the workers played so skillfully with a repertory of ceremonies and symbols. Cats suited their purposes perfectly. By smashing the spine of ''la grise'' they called the master's wife a witch and a slut, while at the same time making the master into a cuckold and a fool. It was [[Metonymy|metonymic]] insult, delivered by actions, not words, and it struck home because cats occupied a soft spot in the bourgeois way of life. Keeping pets was as alien to the workers as torturing animals was to the bourgeois. Trapped between incompatible sensitivities, the cats had the worst of both worlds.}} | ||
| - | Darnton's approach to the historical texts he uses, both in the Cat Massacre chapter and others in the volume, has been criticised since shortly after the work's appearance for its simplistic assumptions. An early exchange between Darnton and French cultural historian Roger Chartier was subjected to a scathing analysis by Dominic LaCapra of the 'Great Symbol Massacre' involved.<ref>LaCapra, D. (1988). Chartier, Darnton, and the Great Symbol Massacre. The Journal of Modern History, 60(1), 95-112. Retrieved May 17, 2020, from www.jstor.org/stable/1880407</ref> Harold Mah in 1991 focused directly on Darnton's account of the 'Massacre', arguing ultimately that the author had 'suppressed' the actual nature of the source in pursuit of an engaging interpretation.<ref>Harold Mah, “Suppressing the Text:The Metaphysics of Ethnographic History in Darnton's Great Cat Massacre," History Workshop 31 (spring 1991), 1–20</ref> | + | Darnton's approach to the historical texts he uses, both in the Cat Massacre chapter and others in the volume, has been criticised since shortly after the work's appearance for its simplistic assumptions. An early exchange between Darnton and French cultural historian Roger Chartier was subjected to a scathing analysis by Dominic LaCapra of the 'Great Symbol Massacre' involved. Harold Mah in 1991 focused directly on Darnton's account of the 'Massacre', arguing ultimately that the author had 'suppressed' the actual nature of the source in pursuit of an engaging interpretation. |
| ==See also== | ==See also== | ||
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The Great Cat Massacre and Other Episodes in French Cultural History is an influential collection of essays on the cultural history of early modern France by the American historian Robert Darnton, first published in 1984. The book's title is derived from its most famous chapter which describes and interprets an unusual source detailing the "massacre" of cats by apprentice printers living and working on Rue Saint-Séverin in Paris during the late 1730s. Other chapters look at fairy tales, the writing of the Encyclopédie and other aspects of French early modern history.
Methodology
Darnton, influenced by Clifford Geertz who was a colleague of Darnton's and had pioneered the approach of "thick description" in cultural anthropology, aimed to gain greater insight into the period and social groups involved by studying what he perceived to be something which appeared alien to the late modern mind – the fact that killing cats might be funny.
The book containing this account, The Great Cat Massacre and Other Episodes in French Cultural History, has become one of Darnton's most popular writings; it has been published in eighteen languages.
Darnton describes how, as the apprentices suffered hard conditions, they came to resent the favours which their masters gave to their cats, and contrived to deal with the nuisance cats by slaughtering them so as to distress their masters. Darnton interprets this as an early form of workers' protest. (As may the wife in the story, who says she believes that "they were threatened by a more serious kind of insubordination" beyond the simple stoppage of work.)
The cats were a favourite of the printer's wife and were fed much better than the apprentices, who were in turn served "catfood" (rotting meat scraps). Aside from this, they were mistreated, beaten and exposed to cold and horrible weather. One of the apprentices imitated a cat by screaming like one for several nights, making the printer and his wife despair. Finally, the printer ordered the cats rounded up and dispatched. The apprentices did this, rounded up all the cats they could find, beat them half to death and held a 'trial'. They found the cats guilty of witchcraft and sentenced them to death by hanging. Darnton concluded:
Darnton's approach to the historical texts he uses, both in the Cat Massacre chapter and others in the volume, has been criticised since shortly after the work's appearance for its simplistic assumptions. An early exchange between Darnton and French cultural historian Roger Chartier was subjected to a scathing analysis by Dominic LaCapra of the 'Great Symbol Massacre' involved. Harold Mah in 1991 focused directly on Darnton's account of the 'Massacre', arguing ultimately that the author had 'suppressed' the actual nature of the source in pursuit of an engaging interpretation.
See also
- The Cheese and the Worms (1976) by Carlo Ginzburg
- "Culture of popular laughter", a concept in early-modern cultural history
