The Film-Makers' Cooperative
From The Art and Popular Culture Encyclopedia
| Revision as of 14:21, 29 September 2007 Jahsonic (Talk | contribs) ← Previous diff |
Current revision Jahsonic (Talk | contribs) |
||
| Line 1: | Line 1: | ||
| - | {{Template}}The '''Film-Makers' Cooperative''' aka [[New American Cinema|The New American Cinema Group]] is an artist-run, non-profit organization which was founded in 1962 in [[New York City]] by [[Jonas Mekas]], [[Shirley Clarke]], [[Stan Brakhage]], [[Gregory Markopoulos]], and other filmmakers to distribute [[avant-garde film]]s through a centralised archive. | + | {| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5" |
| + | | style="text-align: left;" | | ||
| + | "We don't want rosy films - we want them the color of blood".--[[The First Statement of the New American Cinema Group]] (September 30, 1962) by The Film-Makers' Cooperative | ||
| + | <hr> | ||
| + | "In the course of the past three years we have been witnessing the spontaneous growth of a new generation of film makers—the [[Free Cinema]] in England, the [[Nouvelle Vague]] in France, the young movements in Poland, Italy, and Russia, and, in this country, the work of [[Lionel Rogosin]], [[John Cassavetes]], [[Alfred Leslie]], [[Robert Frank]], [[Edward Bland]], [[Bert Stern]] and [[the Sanders brothers]]."--[[The First Statement of the New American Cinema Group]] (September 30, 1962) by The Film-Makers' Cooperative | ||
| + | |} | ||
| + | {{Template}} | ||
| - | The Film-Makers' Cooperative holds the world's largest collection of avantgarde and experimental films, with over 5,000 titles by more than 825 filmmakers. The collection includes work authored on 35mm, 16mm, 8mm, video and DVD. The Cooperative rents out the films in its collection to cinématheques, film festivals, schools, universities, museums, and other art institutions in the United States and around the world. | + | '''The Film-Makers' Cooperative''' a.k.a. legal name '''The New American Cinema Group, Inc.''' is an artist-run, non-profit organization incorporated in July 1961 in New York City by [[Jonas Mekas]], [[Shirley Clarke]], [[Stan Brakhage]], [[Lionel Rogosin]], [[Gregory Markopoulos]], [[Lloyd Williams (filmmaker)|Lloyd Michael Williams]] and other filmmakers for the distribution, education and exhibition of [[avant-garde]] films and alternative media. |
| - | Based upon a belief common to the founding members that the "official cinema is running out of breath" and has become "morally corrupt, aesthetically obsolete, thematically superficial, temperamentally boring" (as the original 1962 manifesto would have it), the Film-Makers' Cooperative was a key institution in the heydays of American experimental or "underground" film in the 1960s and 1970s, and has continued to operate on a non-exclusive basis to ensure the existence of an alternative, non-commercial film culture since then. | ||
| - | Its non-exclusive principle of anti-censorship makes the Film-Makers' Cooperative open to anyone who wishes to become a member. | + | ==History== |
| + | In the fall of 1960, [[Jonas Mekas]] and Lewis Allen organized several meetings with independent filmmakers in New York City that culminated on September 28, 1960 with them officially declaring themselves the New American Cinema Group. Two days later on Sept. 30, Mekas presented the first draft of a manifesto for the Group, which included a call to form a cooperative distribution center. | ||
| - | The New York Film-Makers' Cooperative has inspired similar initiatives both within the United States (Canyon Cinema in San Francisco) and abroad (The London Film-Makers' Co-operative in England, New Brunswick Film-Makers' Cooperative in Canada, ABCinema in Denmark, and elsewhere). | + | On January 7, 1961, at a contentious meeting of the Group, [[Amos Vogel]] attempted to stonewall the formation of the distribution center claiming that his own Cinema 16 organization should be the only distributor of experimental films. However, Vogel is shouted down after it was pointed out that Cinema 16 refused to distribute [[Stan Brakhage]]'s ''[[Anticipation of the Night]]''. |
| - | Besides distributing its members' films, the Film-Makers' Cooperative is continuously involved in film preservation and DVD release projects, and in arranging screenings and events in and around New York City. | + | The Film-Makers' Cooperative would officially start distributing films in 1962. |
| - | ''Executive Director'': M.M. Serra | + | ==Description== |
| + | The Film-Makers' Cooperative holds a large collection of [[Experimental film|avantgarde and experimental films]], with over 5,000 titles by more than 1,500 filmmakers and media artists. The collection includes work authored on 35mm, 16mm, 8mm, video and DVD. The Cooperative rents out the films in its collection to cinématheques, film festivals, schools, universities, museums, and other art institutions in the United States and around the world. | ||
| - | ''Artistic Director'': Jonas Mekas | + | Based upon a belief common to the founding members that the "official cinema is running out of breath" and has become "morally corrupt, aesthetically obsolete, thematically superficial, temperamentally boring" (as the original 1962 manifesto would have it), the Film-Makers' Cooperative was a key institution in the heyday of American experimental or "underground" film in the 1960s and 1970s, and has continued to operate on a non-exclusive basis to ensure the existence of an alternative, non-commercial film culture since then. |
| - | ''Members of the Board'': Donna Cameron, Lili Chin, Bradley Eros, Michael A. Gitlin, Sharon Greytak, Rohesia Hamilton Metcalfe, Anne Hanavan, Marie Losier, John Mhiripiri, Bill Morrison, Lynne Sachs, Joel Schlemowitz, Jack Waters, Grahame Weinbren, Ghen Zando-Dennis | + | The Film-Makers' Cooperative is open to anyone who wishes to become a member. |
| + | The New York Film-Makers' Cooperative has inspired similar initiatives both within the United States ([[Canyon Cinema]] in San Francisco) and abroad ([[London Film-Makers' Co-op|The London Film-Makers' Co-operative]] in England, and ABCinema in Denmark, and elsewhere). | ||
| + | Besides distributing its members' films, the Film-Makers' Cooperative is continuously involved in film preservation and DVD release projects, and in arranging screenings and events in and around New York City. In 2020, the Film-Maker's Cooperative expanded its distribution to online Video on Demand programs, including panels with the filmmakers such as Roberta Cantow. | ||
| + | |||
| + | ==Directors and Board Members== | ||
| + | '''Founding Director''': [[Jonas Mekas]]<br> | ||
| + | '''Executive Director:''' M.M. Serra<br> | ||
| + | '''Members of the Board:''' | ||
| + | *Katherine Bauer - co-President | ||
| + | *Gregg Biermann - co-President | ||
| + | *Richard Sylvarnes - Vice President | ||
| + | *Joel Schlemowitz - Treasurer | ||
| + | *[[Charles S. Cohen]] | ||
| + | *[[Coleen Fitzgibbon]] | ||
| + | *Melissa Friedling | ||
| + | *Rachel Abernathy | ||
| + | *Amanda Katz | ||
| + | *[[Bradley Eros]] | ||
| + | |||
| + | '''Advisory Board:''' | ||
| + | *Sebastian Mekas | ||
| + | *[[Sara Driver]] | ||
| + | *[[Deitch Projects|Jeffrey Deitch]] | ||
| + | *[[Ken Jacobs|Ken & Flo Jacobs]] | ||
| + | *[[Bill Morrison (director)|Bill Morrison]] | ||
| + | *Rohesia Hamilton Metcalfe | ||
| + | *Jim Hubbard | ||
| + | *Jack Waters | ||
| + | *Peter Cramer | ||
| + | *[[Lynne Sachs]] | ||
| + | *[[Peggy Ahwesh]] | ||
| + | |||
| + | ==See also== | ||
| + | *[[Experimental cinema]] | ||
| + | *[[Avant-garde film in the United States ]] | ||
| {{GFDL}} | {{GFDL}} | ||
Current revision
|
"We don't want rosy films - we want them the color of blood".--The First Statement of the New American Cinema Group (September 30, 1962) by The Film-Makers' Cooperative "In the course of the past three years we have been witnessing the spontaneous growth of a new generation of film makers—the Free Cinema in England, the Nouvelle Vague in France, the young movements in Poland, Italy, and Russia, and, in this country, the work of Lionel Rogosin, John Cassavetes, Alfred Leslie, Robert Frank, Edward Bland, Bert Stern and the Sanders brothers."--The First Statement of the New American Cinema Group (September 30, 1962) by The Film-Makers' Cooperative |
|
Related e |
|
Featured: |
The Film-Makers' Cooperative a.k.a. legal name The New American Cinema Group, Inc. is an artist-run, non-profit organization incorporated in July 1961 in New York City by Jonas Mekas, Shirley Clarke, Stan Brakhage, Lionel Rogosin, Gregory Markopoulos, Lloyd Michael Williams and other filmmakers for the distribution, education and exhibition of avant-garde films and alternative media.
Contents |
History
In the fall of 1960, Jonas Mekas and Lewis Allen organized several meetings with independent filmmakers in New York City that culminated on September 28, 1960 with them officially declaring themselves the New American Cinema Group. Two days later on Sept. 30, Mekas presented the first draft of a manifesto for the Group, which included a call to form a cooperative distribution center.
On January 7, 1961, at a contentious meeting of the Group, Amos Vogel attempted to stonewall the formation of the distribution center claiming that his own Cinema 16 organization should be the only distributor of experimental films. However, Vogel is shouted down after it was pointed out that Cinema 16 refused to distribute Stan Brakhage's Anticipation of the Night.
The Film-Makers' Cooperative would officially start distributing films in 1962.
Description
The Film-Makers' Cooperative holds a large collection of avantgarde and experimental films, with over 5,000 titles by more than 1,500 filmmakers and media artists. The collection includes work authored on 35mm, 16mm, 8mm, video and DVD. The Cooperative rents out the films in its collection to cinématheques, film festivals, schools, universities, museums, and other art institutions in the United States and around the world.
Based upon a belief common to the founding members that the "official cinema is running out of breath" and has become "morally corrupt, aesthetically obsolete, thematically superficial, temperamentally boring" (as the original 1962 manifesto would have it), the Film-Makers' Cooperative was a key institution in the heyday of American experimental or "underground" film in the 1960s and 1970s, and has continued to operate on a non-exclusive basis to ensure the existence of an alternative, non-commercial film culture since then.
The Film-Makers' Cooperative is open to anyone who wishes to become a member.
The New York Film-Makers' Cooperative has inspired similar initiatives both within the United States (Canyon Cinema in San Francisco) and abroad (The London Film-Makers' Co-operative in England, and ABCinema in Denmark, and elsewhere).
Besides distributing its members' films, the Film-Makers' Cooperative is continuously involved in film preservation and DVD release projects, and in arranging screenings and events in and around New York City. In 2020, the Film-Maker's Cooperative expanded its distribution to online Video on Demand programs, including panels with the filmmakers such as Roberta Cantow.
Directors and Board Members
Founding Director: Jonas Mekas
Executive Director: M.M. Serra
Members of the Board:
- Katherine Bauer - co-President
- Gregg Biermann - co-President
- Richard Sylvarnes - Vice President
- Joel Schlemowitz - Treasurer
- Charles S. Cohen
- Coleen Fitzgibbon
- Melissa Friedling
- Rachel Abernathy
- Amanda Katz
- Bradley Eros
Advisory Board:
- Sebastian Mekas
- Sara Driver
- Jeffrey Deitch
- Ken & Flo Jacobs
- Bill Morrison
- Rohesia Hamilton Metcalfe
- Jim Hubbard
- Jack Waters
- Peter Cramer
- Lynne Sachs
- Peggy Ahwesh
See also
