The Dream of the Fisherman's Wife
From The Art and Popular Culture Encyclopedia
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The Dream of the Fisherman's Wife is an erotic woodcut of the ukiyo-e genre made around 1820 by the Japanese artist Hokusai. Perhaps the first instance of tentacle eroticism, it depicts a woman entwined sexually with a pair of octopuses, the smaller of which kisses her while the larger one performs cunnilingus. A shot of the work printed on a postcard that is being looked at by Anaïs Nin (Maria de Medeiros) at the beginning of the 1990 film Henry & June earned that movie the very first NC-17 film rating. It is no coincidence that the wife in question is a fisherman's wife, the significance of the absence of men in fishermen's villages is also testified by the fact the first dildos were found in fishermen's villages.
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Interpretation
For a long time collectors and scholars thought this infinitely fascinating scene to be a rape scene but this has been refuted by Danielle Talerico who discovered that an Edo audience would have associated the image with the legend of Tamatori.
History
Hokusai created The Dream of the Fisherman's Wife during the Edo period in when Shinto was making a resurgence; this influenced the piece's animism and playful attitude towards sexuality. It is a celebrated example of shunga and has been reworked by a number of artists. Similar themes of human females having sexual intercourse with sea life have been displayed since the 17th century in Japanese netsuke, small carved sculptures only a few inches in height and often extremely elaborate.
Variations on title
In Richard Lane's Images of the Floating World (1978) this print is referenced as Girl Diver and Octopi from the series Young Pine Shoots (1814). Matthi Forrer in Hokusai: Prints and Drawings (1992) titles it Pearl Diver and Two Octopi from Young Pines (Kinoe no komatsu) with the same 1814 date.
See also