The Arts Today
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| '' [[The Arts Today]]'' (1935) is a book edited by [[Geoffrey Grigson]]. | '' [[The Arts Today]]'' (1935) is a book edited by [[Geoffrey Grigson]]. | ||
| - | :"Product of the multiform inventive artist, abstraction-surrealism nearly in control; of a constructor of images between the conscious and the unconscious and between what we perceive and what we project emotionally into the objects of our world; of the one English sculptor of large, imaginative power, of which he is almost master; the biomorphist producing viable work, with all the technique he requires." | + | :"They are [artworks] in which an organic-geometric tension is very well obtained. Many of their forms are almost certainly ‘degraded’, as orthodox anthropologists would say, from [[organic form]]s which came nearer to nature. Some forms are further from any originals, and those have been described as ‘[[biomorphic]]’, which is no bad term for the paintings of [[Miro]], [[Hélion]], [[Erni]] and others, to distinguish them from the modern geometric abstractions and from rigid Surrealism." |
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| - | A poet by profession, Grigson founded the literary review New Verse in 1933 and, in the pages of the modernist art magazine Axis, formulated the term ‘biomorphism’ to describe the sort of organic, semi-abstracted forms favoured by Moore and some other contemporary artists.34 Drawing upon the nineteenth-century anthropology of Alfred Court Haddon and the biologistic criticism of the German art historian, [[Wilhelm Worringer]], he coined the term to describe artworks that were neither representational nor wholly abstract but rather appeared to owe their origins, symbolically as much as, or more than, visually, to living things.35 In a couple of essays published in 1935, Grigson spelt out the aesthetic implications of the biomorphic idiom: | + | |
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| - | :"They are [artworks] in which an organic-geometric tension is very well obtained. Many of their forms are almost certainly ‘degraded’, as orthodox anthropologists would say, from organic forms which came nearer to nature. Some forms are further from any originals, and those have been described as ‘biomorphic’, which is no bad term for the paintings of Miro, Hélion, Erni and others, to distinguish them from the modern geometric abstractions and from rigid Surrealism." | + | |
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The Arts Today (1935) is a book edited by Geoffrey Grigson.
- "They are [artworks] in which an organic-geometric tension is very well obtained. Many of their forms are almost certainly ‘degraded’, as orthodox anthropologists would say, from organic forms which came nearer to nature. Some forms are further from any originals, and those have been described as ‘biomorphic’, which is no bad term for the paintings of Miro, Hélion, Erni and others, to distinguish them from the modern geometric abstractions and from rigid Surrealism."
It features eight essays
- W H Auden writes on Psychology and Art
- Louis MacNeice on Poetry.
- Illustrated b/w. Salmon cloth with black print
See also
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