Still-Life with Partridge and Gauntlets
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'''''Still-Life with Partridge and Iron Gloves'''''[http://commons.wikimedia.org/wiki/Category:Still-Life_with_Partridge_and_Iron_Gloves_%28Jacopo_de%27_Barbari%29], also called '''Partridge, gauntlets, and crossbow bolt''' (1504) is a painting by the Italian artist [[Jacopo de' Barbari]], in the collection of the [[Alte Pinakothek]], [[Munich]]. | '''''Still-Life with Partridge and Iron Gloves'''''[http://commons.wikimedia.org/wiki/Category:Still-Life_with_Partridge_and_Iron_Gloves_%28Jacopo_de%27_Barbari%29], also called '''Partridge, gauntlets, and crossbow bolt''' (1504) is a painting by the Italian artist [[Jacopo de' Barbari]], in the collection of the [[Alte Pinakothek]], [[Munich]]. | ||
- | This [[still-life]] is often called the first small scale ''[[trompe l'oeil]]'' painting since antiquity; it may well have been the cover or reverse of a portrait (however, the fragmentary panel ''[[Two Venetian Ladies]]'' by another Venetian, [[Vittorio Carpaccio]], has a trompe l'oeil [[letter-rack]] of about 1490 on the reverse. | + | This [[still-life]] is often called the first small scale ''[[trompe l'oeil]]'' painting since antiquity; it may well have been the cover or reverse of a portrait. However, the fragmentary panel ''[[Two Venetian Ladies]]'' by another Venetian, [[Vittorio Carpaccio]], also has a trompe l'oeil [[letter-rack]][http://commons.wikimedia.org/wiki/Image:Carpaccio,_caccia_nella_laguna,_1490-95_ca._07_retro.JPG?uselang=it] of about 1490 on the reverse. |
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Still-Life with Partridge and Iron Gloves[1], also called Partridge, gauntlets, and crossbow bolt (1504) is a painting by the Italian artist Jacopo de' Barbari, in the collection of the Alte Pinakothek, Munich.
This still-life is often called the first small scale trompe l'oeil painting since antiquity; it may well have been the cover or reverse of a portrait. However, the fragmentary panel Two Venetian Ladies by another Venetian, Vittorio Carpaccio, also has a trompe l'oeil letter-rack[2] of about 1490 on the reverse.
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