Still-Life with Partridge and Gauntlets
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| + | [[Still-Life with Partridge and Iron Gloves]][http://commons.wikimedia.org/wiki/Category:Still-Life_with_Partridge_and_Iron_Gloves_%28Jacopo_de%27_Barbari%29] (1504) – [[Jacopo de' Barbari]] | ||
| - | + | The very early [[still-life]] of a ''[[Partridge, gauntlets, and crossbow bolt]]'' ([[Alte Pinakothek]], [[Munich]]) is often called the first small scale ''[[trompe l'oeil]]'' painting since antiquity; it may well have been the cover or reverse of a portrait (however, [[Two Venetian Ladies|a fragmentary panel]] by another Venetian, [[Vittorio Carpaccio]], has a trompe l'oeil letter-rack of about 1490 on the reverse). | |
| - | [[Still-Life with Partridge and Iron Gloves]][http://commons.wikimedia.org/wiki/Category:Still-Life_with_Partridge_and_Iron_Gloves_%28Jacopo_de%27_Barbari%29] (1504) – [[Jacopo de' Barbari]] | + | |
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Still-Life with Partridge and Iron Gloves[1] (1504) – Jacopo de' Barbari
The very early still-life of a Partridge, gauntlets, and crossbow bolt (Alte Pinakothek, Munich) is often called the first small scale trompe l'oeil painting since antiquity; it may well have been the cover or reverse of a portrait (however, a fragmentary panel by another Venetian, Vittorio Carpaccio, has a trompe l'oeil letter-rack of about 1490 on the reverse).
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Still-Life with Partridge and Iron Gloves" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
