Rozelli
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| + | * Abbé Olivier- ''Memoirs of the Life and Adventures of Signor Rozelli'' | ||
| + | *The anonymous French ''[[Rozelli]]'' with its satire on Europe’s religions | ||
| - | Both branches of satirical production seem to have addressed a predominantly male audience (women are despicable victims in titles like Head’s ''The English Rogue''). They found the appreciation of critics as long as they revealed the weaknesses of the ''Amadis''. The critics otherwise deplored that the satires could not offer alternatives. Other important works of the tradition are [[Paul Scarron]]’s ''[[Roman Comique]]'' with its explicit discussions of the market of fictions, the anonymous French ''[[Rozelli]]'' with its satire on Europe’s religions, [[Alain-René Lesage]]’s ''[[Gil Blas]]'' (1715-1735), [[Henry Fielding]]’s ''[[Joseph Andrews]]'' (1742) and ''[[The History of Tom Jones, a Foundling|Tom Jones]]'' (1749), and [[Denis Diderot]]’s ''[[Jacques the Fatalist]]'' (1773, printed posthumously in 1796). | ||
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Revision as of 10:59, 7 November 2010
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- Abbé Olivier- Memoirs of the Life and Adventures of Signor Rozelli
- The anonymous French Rozelli with its satire on Europe’s religions
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