Pornographic Art and the Aesthetics of Pornography  

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The Fluidity of Acceptability: Seduced by Art and Pornography and the Kinsey Institute Collection | The Fluidity of Acceptability: Seduced by Art and Pornography and the Kinsey Institute Collection |
-Wallace, Marina | +[[Marina Wallace|Wallace, Marina]] |
Pages 274-286 Pages 274-286

Revision as of 08:52, 15 April 2017

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Pornographic Art and the Aesthetics of Pornography (2013) by Hans Maes.

On the cover, the 'fresh' image of Purple Hyacinth, fresh state/desiccated state by Michael Petry.

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Introduction | Maes, Hans | Pages 1-24

Pornography, Art and Porno-Art | Mikkola, Mari | Pages 27-42

Exclusivism and Evaluation: Art, Erotica and Pornography | Patridge, Stephanie | Pages 43-57

A Pornographic Way of Seeing | Mumford, Stephen | Pages 58-72

Pornography and Acting | Zamir, Tzachi | Pages 75-99

The Fictional Character of Pornography | Liao, Shen-yi (et al.) | Pages 100-118

Image Economies and the Erotic Life of the Unlovely | Winters, Edward | Pages 119-138

Before Pornography: Sexual Representation in Ancient Roman Visual Culture | Clarke, John R. | Pages 141-161

Sheela-na-gig Again: The Birth of a New Style from the Spirit of Pornography | Trinks, Stefan | Pages 162-182

Aestheticizing Pornography for the 21st-century Academy: Pedagogy as Ars Erotica or Scientia Sexualis? | Bennett, David | Pages 183-202

Clean Feet and Dirty Dancing: The Erotic Pas de Deux and Boys in the Sand Miller, Edward D. Pages 205-220

The Pornography of Death Tercier, John Pages 221-235

Porno-Graphic: Why Words Matter in Fiona Banner’s Arsewoman in Wonderland | Dhillon, Kim | Pages 236-251

A Queer Balance: Power Relations in Homosexual Representations and in Choosing Flowers Petry, Michael Pages 255-273

The Fluidity of Acceptability: Seduced by Art and Pornography and the Kinsey Institute Collection | Wallace, Marina | Pages 274-286

My Pornographic Development | Arrowsmith, Anna | Pages 287-297


See also




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