Phallus  

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In ''[[Gender Trouble]]'', [[Judith Butler]] explores Freud's and Lacan's discussions of the symbolic phallus by pointing out the connection between the phallus and the penis. She writes, "The law requires conformity to its own notion of 'nature'. It gains its legitimacy through the binary and asymmetrical naturalization of bodies in which the phallus, though clearly not identical to the penis, deploys the penis as its naturalized instrument and sign" (135). In ''Bodies that Matter'', she further explores the possibilities for the phallus in her discussion of ''The Lesbian Phallus''. If, as she notes, Freud enumerates a set of analogies and substitutions that rhetorically affirm the fundamental transferability of the phallus from the penis elsewhere, then any number of other things might come to stand in for the phallus (62). In ''[[Gender Trouble]]'', [[Judith Butler]] explores Freud's and Lacan's discussions of the symbolic phallus by pointing out the connection between the phallus and the penis. She writes, "The law requires conformity to its own notion of 'nature'. It gains its legitimacy through the binary and asymmetrical naturalization of bodies in which the phallus, though clearly not identical to the penis, deploys the penis as its naturalized instrument and sign" (135). In ''Bodies that Matter'', she further explores the possibilities for the phallus in her discussion of ''The Lesbian Phallus''. If, as she notes, Freud enumerates a set of analogies and substitutions that rhetorically affirm the fundamental transferability of the phallus from the penis elsewhere, then any number of other things might come to stand in for the phallus (62).
 +==Modern Use of the Phallus==
 +
 +The Phallus is often used to advertise pornography, as well as the sale of [[contraception]]. It has often been used in provocative practical jokes and has been the central focus of adult-audience performances.
 +
 +The phallus has a new set of art interpretations in the 20th Century with the rise of [[Sigmund Freud]], the founder of the [[psychoanalytic school]] of [[psychology]]. One example is "[[Princess X]]" [http://www.philamuseum.org/collections/permanent/51035.html] by the Romanian modernist sculptor [[Constantin Brâncuşi]]. He created a scandal in the Salon in 1919 when he represented or caricatured [[Princess Marie Bonaparte]] as a large gleaming bronze phallus. This phallus likely symbolizes Bonaparte's obsession with the penis and her lifelong quest to achieve vaginal orgasm.
==In gender studies== ==In gender studies==

Revision as of 12:24, 31 May 2009

Image:Sensuality.jpg
Sensuality (1891) - Franz von Stuck. The image of the serpent as phallus is left in little doubt in this painting that shows an enormous python-like creature passing between the legs of a nude woman.

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The word phallus can refer to an erect penis, to a penis-shaped object such as a dildo, or to a mimetic image of an erect penis. Any object that symbolically resembles a penis may also be referred to as a phallus; however, such objects are more often referred to as being phallic (as in "phallic symbol"). Such symbols often represent the fertility, potency and cultural implications that are associated with the male sexual organ, as well as the male orgasm.

Contents

In art

Ancient and modern sculptures of phalloi have been found in many parts of the world, notably among the vestiges of ancient Greece and Rome. See Dionysia.

Shakespeare often incorporated phallic symbols into his plays; swords and knives, for example, were phallic symbols representing the masculinity of their wielders. For example, in Shakespeare's A Midsummer Night's Dream, Theseus says to his fiancé Hippolyta "I wooed thee with my sword"

In religion

In anthropology, phallicism or phallic worship refers to the ritual adoration of the human penis, or the phallus. Elements of phallicism have been found in many cultures, including Ancient Greece, India and Sumer.

Ancient Greece

In traditional Greek mythology, Hermes, god of boundaries and exchange (popularly the messenger god) was considered to be a phallic deity by association with representations of him on herms (pillars) featuring a phallus. There is no scholarly consensus on this depiction and it would be speculation to consider Hermes a type of fertility god.

Pan, son of Hermes, was often depicted as having an exaggerated erect phallus.

Priapus was a Greek god of fertility whose symbol was an exaggerated phallus. The son of Aphrodite and either Dionysus or Adonis, according to different forms of the original myth, he was the protector of livestock, fruit plants, gardens, and male genitalia. His name is the origin of the medical term priapism.

Ancient Rome

Ancient Romans wore phallic jewelry as talismans against the evil eye.

In psychoanalysis

The symbolic version of the phallus, a phallic symbol is meant to represent male generative powers. According to Sigmund Freud's theory of psychoanalysis, while males possess a penis, no one can possess the symbolic phallus. Jacques Lacan's Ecrits: A Selection includes an essay titled The Significance of the Phallus which articulates the difference between "being" and "having" the phallus. Men are positioned as men insofar as they are seen to have the phallus. Women, not having the phallus, are seen to "be" the phallus. The symbolic phallus is the concept of being the ultimate man, and having this is compared to having the divine gift of God.

In Gender Trouble, Judith Butler explores Freud's and Lacan's discussions of the symbolic phallus by pointing out the connection between the phallus and the penis. She writes, "The law requires conformity to its own notion of 'nature'. It gains its legitimacy through the binary and asymmetrical naturalization of bodies in which the phallus, though clearly not identical to the penis, deploys the penis as its naturalized instrument and sign" (135). In Bodies that Matter, she further explores the possibilities for the phallus in her discussion of The Lesbian Phallus. If, as she notes, Freud enumerates a set of analogies and substitutions that rhetorically affirm the fundamental transferability of the phallus from the penis elsewhere, then any number of other things might come to stand in for the phallus (62).

Modern Use of the Phallus

The Phallus is often used to advertise pornography, as well as the sale of contraception. It has often been used in provocative practical jokes and has been the central focus of adult-audience performances.

The phallus has a new set of art interpretations in the 20th Century with the rise of Sigmund Freud, the founder of the psychoanalytic school of psychology. One example is "Princess X" [1] by the Romanian modernist sculptor Constantin Brâncuşi. He created a scandal in the Salon in 1919 when he represented or caricatured Princess Marie Bonaparte as a large gleaming bronze phallus. This phallus likely symbolizes Bonaparte's obsession with the penis and her lifelong quest to achieve vaginal orgasm.

In gender studies

In cultural terms, phallocentrism is used to describe a male-centered doctrine or behavior, and sometimes refers to patriarchy, while gynocentrism is used to describe female-centered doctrine or behavior, and sometimes refers to matriarchy. Furthermore, the term yonic has often been used to describe something as vaginal and is considered the counterpart to the term phallic.

In fiction

Phallic symbolism can be perceived in a wide range of fiction and other popular culture works (in particular when analyzed in the context of psychoanalysis, although frequently that view is unconfirmed or unsanctioned by the creators).




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Phallus" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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