Peter Braunstein  

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 +"Only by killing disco could rock affirm its threatened [[masculinity]] and restore the holy [[dyad]] of [[beer|cold brew]] and [[vanilla sex|undemanding sex]] partners. Disco bashing became a major preoccupation in 1977. At the moment when ''[[Saturday Night Fever]]'' and [[Studio 54]] achieved [[zeitgeist]] status, rock rediscovered a rage it had been lacking since the '60s, but this time the enemy was a culture with "[[plastic]]" and "[[mindless]]" (read [[effeminate]]) musical tastes. Examined in light of the ensuing political backlash, it's clear that the slogan of this movement--"[[Disco Sucks!]]"--was the first cry of the [[angry white male]]." --[[Peter Braunstein]], Village Voice, June 1998
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 +'''Peter Braunstein''' (born 1964) is a [[New York City]]-based journalist, writer, and playwright who became infamous for committing a [[October 31]] [[2005]] [[sexual assault]], leading police on a multi-state [[manhunt]] until his capture and [[self-injury]] in [[Memphis, Tennessee]] on [[December 16]] [[2005]].
 +==Popular culture history==
 +Braunstein was also an academically trained [[popular culture historian]], who contributed to [[W magazine]], [[Village Voice]], [[American Heritage (magazine)|American Heritage]][http://www.americanheritage.com/articles/magazine/ah/1999/7/1999_7_43.shtml], writing mostly about the history and culture of [[popular music]].
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 +He contributed to and co-edited ''[[Imagine Nation: The American Counterculture of the 1960s & '70s]]'' with [[Michael William Doyle]]
 +
 +His 1998 article "[[The Last Days of Gay Disco]]"[http://www.villagevoice.com/1998-06-30/news/the-last-days-of-gay-disco/1] was well-received when it was published in 1998. It came out at the occasion of the release of two films: ''[[The Last Days of Disco]]'' and ''[[54 (film) |54]]''.
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"Only by killing disco could rock affirm its threatened masculinity and restore the holy dyad of cold brew and undemanding sex partners. Disco bashing became a major preoccupation in 1977. At the moment when Saturday Night Fever and Studio 54 achieved zeitgeist status, rock rediscovered a rage it had been lacking since the '60s, but this time the enemy was a culture with "plastic" and "mindless" (read effeminate) musical tastes. Examined in light of the ensuing political backlash, it's clear that the slogan of this movement--"Disco Sucks!"--was the first cry of the angry white male." --Peter Braunstein, Village Voice, June 1998

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Peter Braunstein (born 1964) is a New York City-based journalist, writer, and playwright who became infamous for committing a October 31 2005 sexual assault, leading police on a multi-state manhunt until his capture and self-injury in Memphis, Tennessee on December 16 2005.

Popular culture history

Braunstein was also an academically trained popular culture historian, who contributed to W magazine, Village Voice, American Heritage[1], writing mostly about the history and culture of popular music.

He contributed to and co-edited Imagine Nation: The American Counterculture of the 1960s & '70s with Michael William Doyle

His 1998 article "The Last Days of Gay Disco"[2] was well-received when it was published in 1998. It came out at the occasion of the release of two films: The Last Days of Disco and 54.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Peter Braunstein" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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