Pediment  

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-[[Image:Last Judgement (Giotto).JPG|thumb|right|200px|[[Hell]] detail from [[Giotto]]'s ''[[Last Judgement (Giotto)|Last Judgement]]'']]  
{{Template}} {{Template}}
-# The [[judgment day]]; [[apocalypse]].+A '''pediment''' is an element in [[classical architecture|classical]], [[Neoclassical architecture|neoclassical]] and [[baroque]] architecture, and derivatives therefrom, consisting of a [[gable]], originally of a triangular shape, placed above the horizontal structure of the ([[entablature]]), typically supported by [[column]]s. The [[Tympanum (architecture)|tympanum]], or triangular area within the pediment, was often decorated with [[relief]] [[sculpture]] depicting scenes from Greek and Roman [[mythology]] or allegorical figures.
-#:''Do not wait for the '''Last Judgment'''. It takes place every day - [[Albert Camus]]+
-==Artistic representations==+
-In art, the Last Judgment is a common theme in medieval and renaissance religious iconography. Like most early iconographic innovations, its origins stem from [[Byzantium]]. In Western Christianity, it is often the subject depicted on the central [[Pediment|tympanum]] of medieval cathedrals and churches, or as the central section of a [[triptych]], flanked by depictions of [[heaven]] and [[hell]] to the left and right, respectively (heaven being to the viewer's left, but to the Christ figure's right).+
-The most famous Renaissance depiction is [[Michelangelo Buonarroti]]'s [[The Last Judgment (Michelangelo)|''The Last Judgment'']] in the [[Sistine Chapel]]. Included in this fresco is his self portrait, as [[Bartholomew|St. Bartholomew]]'s [[flaying|flayed]] skin.+==History==
 +The pediment is found in classical [[Greek temple]]s, renaissance, and neoclassical architecture. A prominent example is the [[Parthenon]], where it contains a tympanum decorated with figures in relief sculpture. This [[Architectural elements|architectural element]] was developed in the [[Ancient Greek architecture|architecture of ancient Greece]]. In [[Ancient Rome]], the [[Renaissance]], and later [[historicism (art)|architectural revivals]], the pediment was used as a non-structural element over [[window]]s, [[door]]s and [[aedicule]]s.
 +A variant is the "segmental" or "arch" pediment, where the normal angular slopes of the cornice are replaced by one in the form of a segment of a circle, in the manner of a depressed arch. Both traditional and segmental pediments have "broken" and "open" forms. In the '''broken pediment''' the raking cornice is left open at the apex.
 +
 +The '''open pediment''' is open along the base – often used in [[Georgian architecture]]. A further variant is the "Swan-necked" pediment, where the raking cornice is in the form of two S-shaped [[Bracket (architecture)|brackets]]. The decorations in the tympanum frequently extend through these openings, in the form of "[[Alto-relievo]]" sculpture, "[[Tondo (Art)|tondo]]" paintings, mirrors or windows. These forms were adopted in [[Mannerist#Mannerist architecture|Mannerist architecture]], and applied to [[furniture]] designed by [[Thomas Chippendale]].
 +The terms "open pediment" and "broken pediment" are often used interchangeably.
 +==Significant pediments in the United States==
 +
 +*[[Apotheosis of Democracy]] at the [[United States Capitol]], [[Washington D.C.]]
 +*[[United States Supreme Court building]], Washington D.C.
 +*[[National Archives and Records Administration|National Archives Building]], Washington D.C.
 +*[[Wisconsin State Capitol]], [[Madison, Wisconsin|Madison]], Wisconsin
 +*[[Wayne County Building]], [[Detroit, Michigan|Detroit]], Michigan
 +*[[Allen County Courthouse (Indiana)|Allen County Courthouse]], [[Fort Wayne, Indiana]]
 +*[[New York Stock Exchange]] Building, [[New York City]]
 +*[[San Francisco City Hall]], [[San Francisco, California|San Francisco]], California
 +*[[Missouri State Capitol]], [[Jefferson City, Missouri|Jefferson City]], Missouri
 +*[[Philadelphia Museum of Art]], [[Philadelphia, Pennsylvania|Philadelphia]], Pennsylvania
 +*[[Severance Hall]], [[Cleveland, Ohio|Cleveland]], Ohio
 +
 +==See also==
 +*[[Gable]]
 +*[[Temple (Greek)]]
 +*[[Temple (Roman)]]
 +
 +==References==
 +* ''Dictionary of Ornament'' by Philippa Lewis & Gillian Darley (1986) NY: Pantheon
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A pediment is an element in classical, neoclassical and baroque architecture, and derivatives therefrom, consisting of a gable, originally of a triangular shape, placed above the horizontal structure of the (entablature), typically supported by columns. The tympanum, or triangular area within the pediment, was often decorated with relief sculpture depicting scenes from Greek and Roman mythology or allegorical figures.

Contents

History

The pediment is found in classical Greek temples, renaissance, and neoclassical architecture. A prominent example is the Parthenon, where it contains a tympanum decorated with figures in relief sculpture. This architectural element was developed in the architecture of ancient Greece. In Ancient Rome, the Renaissance, and later architectural revivals, the pediment was used as a non-structural element over windows, doors and aedicules.

A variant is the "segmental" or "arch" pediment, where the normal angular slopes of the cornice are replaced by one in the form of a segment of a circle, in the manner of a depressed arch. Both traditional and segmental pediments have "broken" and "open" forms. In the broken pediment the raking cornice is left open at the apex.

The open pediment is open along the base – often used in Georgian architecture. A further variant is the "Swan-necked" pediment, where the raking cornice is in the form of two S-shaped brackets. The decorations in the tympanum frequently extend through these openings, in the form of "Alto-relievo" sculpture, "tondo" paintings, mirrors or windows. These forms were adopted in Mannerist architecture, and applied to furniture designed by Thomas Chippendale. The terms "open pediment" and "broken pediment" are often used interchangeably.

Significant pediments in the United States

See also

References

  • Dictionary of Ornament by Philippa Lewis & Gillian Darley (1986) NY: Pantheon




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