Paul Sharits
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| '''Paul Jeffrey Sharits''' (February 7, 1943, [[Denver, Colorado|Denver]], [[Colorado]]—July 8, 1993, [[Buffalo, New York|Buffalo]], [[New York (state)|New York]]) was a visual artist, best known for his work in experimental, or avant-garde filmmaking, particularly what became known as the [[structural film]] movement, along with other artists such as [[Tony Conrad]], [[Hollis Frampton]], and [[Michael Snow]]. | '''Paul Jeffrey Sharits''' (February 7, 1943, [[Denver, Colorado|Denver]], [[Colorado]]—July 8, 1993, [[Buffalo, New York|Buffalo]], [[New York (state)|New York]]) was a visual artist, best known for his work in experimental, or avant-garde filmmaking, particularly what became known as the [[structural film]] movement, along with other artists such as [[Tony Conrad]], [[Hollis Frampton]], and [[Michael Snow]]. | ||
| - | Paul Sharits' film work primarily focused on installations incorporating endless film loops, multiple projectors, and experimental soundtracks (prominently used in his 1975 film ''Shutter Interface''). <!-- recently shown at Greene Naftali Gallery in New York City (Feb 18—Apr 11, 2009). | + | Paul Sharits' film work primarily focused on installations incorporating endless film loops, multiple projectors, and experimental soundtracks (prominently used in his 1975 film ''Shutter Interface''). |
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Paul Jeffrey Sharits (February 7, 1943, Denver, Colorado—July 8, 1993, Buffalo, New York) was a visual artist, best known for his work in experimental, or avant-garde filmmaking, particularly what became known as the structural film movement, along with other artists such as Tony Conrad, Hollis Frampton, and Michael Snow.
Paul Sharits' film work primarily focused on installations incorporating endless film loops, multiple projectors, and experimental soundtracks (prominently used in his 1975 film Shutter Interface).
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Paul Sharits" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
