One Culture and the New Sensibility
From The Art and Popular Culture Encyclopedia
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| "One important consequence of the new [[sensibility]] [is] that the distinction between [[high culture|"high"]] and [[low culture|"low" culture]] seems less and less meaningful." | "One important consequence of the new [[sensibility]] [is] that the distinction between [[high culture|"high"]] and [[low culture|"low" culture]] seems less and less meaningful." | ||
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| - | "If art is understood as a form of discipline of the feelings and a programming of sensations, then the feeling (or sensation) given off by a [[Robert Rauschenberg|Rauschenberg]] painting might be like that of a song by the [[Supremes]]. The [[brio]] and elegance of [[Budd Boetticher]]’s ''[[The Rise and Fall of Legs Diamond]]'' or the singing style of [[Dionne Warwick]] can be appreciated as a complex and pleasurable event. They are experienced without [[condescension]]." --[[Susan Sontag]], 1965. | + | "If art is understood as a form of discipline of the feelings and a programming of sensations, then the feeling (or sensation) given off by a [[Robert Rauschenberg|Rauschenberg]] painting might be like that of a song by the [[The Supremes|Supremes]]. The [[brio]] and elegance of [[Budd Boetticher]]’s ''[[The Rise and Fall of Legs Diamond]]'' or the singing style of [[Dionne Warwick]] can be appreciated as a complex and pleasurable event. They are experienced without [[condescension]]." --[[Susan Sontag]], 1965. |
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Revision as of 07:59, 16 April 2014
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"One important consequence of the new sensibility [is] that the distinction between "high" and "low" culture seems less and less meaningful." "If art is understood as a form of discipline of the feelings and a programming of sensations, then the feeling (or sensation) given off by a Rauschenberg painting might be like that of a song by the Supremes. The brio and elegance of Budd Boetticher’s The Rise and Fall of Legs Diamond or the singing style of Dionne Warwick can be appreciated as a complex and pleasurable event. They are experienced without condescension." --Susan Sontag, 1965. |
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"One Culture and the New Sensibility" is an essay by Susan Sontag first published in Mademoiselle in 1965. It was later collected in an expanded version in Against Interpretation of 1966.
