Nadine Trintignant
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| - | '''Marcello Mastroianni''' ([[September 28]], [[1924]] – [[December 19]], [[1996]]) was an [[Italy|Italian]] film actor noted for performances in ''[[A Special Day]]'' and ''[[La Grande bouffe]]''. | ||
| - | == Biography == | ||
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| - | Born in [[Fontana Liri]], a small village in the [[Apennine Mountains|Apennines]], Mastroianni grew up in [[Turin]] and [[Rome]]. During [[World War II]] he was interned in a [[Nazism|Nazi]] prison, but he escaped and hid in [[Venice]]. | ||
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| - | In [[1945]] he started working for a [[film]] company and began taking acting lessons. His film debut was in ''I Miserabili'' ([[1947]]). | ||
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| - | He soon became a major international star, starring in ''[[Big Deal on Madonna Street]]''; and in [[Federico Fellini]]'s ''[[La dolce vita]]'' with [[Anita Ekberg]] in [[1960]], where he played a disillusioned and [[self-loathing]] [[tabloid]] columnist who spends his days and nights exploring Rome's [[high society]]. | ||
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| - | Mastroianni followed ''La dolce vita'' with another signature role, that of a film director who, amidst [[self-doubt]] and [[troubled]] [[love affair]]s, finds himself in a creative block while making a movie in Fellini's ''[[8½]]''. | ||
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| - | Mastroianni was married to Italian actress [[Flora Carabella]] ([[1926]] - [[1999]]) from [[1948]] until his death. They had one child together, Barbara. His brother [[Ruggero Mastroianni]] ([[1929]] - [[1996]]) was a highly regarded film editor who not only edited a number of his brother's films, but appeared alongside Marcello in ''[[Scipione detto anche l'Africano]]'', a sword and sandals film released in 1971. | ||
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| - | He also had a daughter, [[Chiara Mastroianni]], with the actress [[Catherine Deneuve]], his longtime lover during the seventies. Both Flora and Catherine were at his bedside when he died of [[pancreatic cancer]] at the age of 72, as was his partner at the time, author and filmmaker [[Anna Maria Tato]]. | ||
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| - | According to Christopher Wiegand and Paul Duncan in their book 'Federico Fellini'', when Mastroianni died in 1996, the Trevi Fountain, which is so famously associated with him due to his role in Fellini's ''La dolce vita'', was symbolically turned off and draped in black as a tribute. | ||
| - | == Filmography == | ||
| - | *''[[Marionette (film)|Marionette]]'' by [[Carmine Gallone]] (1939) | ||
| - | *''[[Love Story (1942 film)|Una storia d'amore]]'' by [[Mario Camerini]] (1942) | ||
| - | *''[[The Children Are Watching Us|I bambini ci guardano]]'' by [[Vittorio De Sica]] (1944) | ||
| - | *''[[Les Misérables (1948 film)|I miserabili]]'' by [[Riccardo Freda]] (1948) | ||
| - | *''[[Vent'anni]]'' by [[Giorgio Bianchi]] (1949) | ||
| - | *''[[Vertigine d'amore]]'' by [[Luigi Capuano]] (1949) | ||
| - | *''[[Sunday in August |Domenica d'agosto]]'' by [[Luciano Emmer]] (1950) | ||
| - | *''[[Against the Law (film)|Contro la legge]]'' by [[Flavio Calzavara]] (1950) | ||
| - | *''[[A Dog's Life (1950 film)|Vita da cani]]'' by [[Stefano Vanzina|Steno]] and [[Mario Monicelli]] (1950) | ||
| - | *''[[Hearts at Sea (film)|Cuori sul mare]]'' by [[Giorgio Bianchi]] (1950) | ||
| - | *''[[The Accusation|Atto d'accusa]]'' by [[Giacomo Gentilomo]] (1951) | ||
| - | *''[[A Tale of Five Cities|Passaporto per l'oriente]]'' by [[Montgomery Tully]], [[Romolo Marcellini]] (1951) | ||
| - | *''[[Paris Is Always Paris|Parigi è sempre Parigi]]'' by [[Luciano Emmer]] (1951) | ||
| - | *''[[The Mute of Portici|La muta di Portici]]'' by [[Giorgio Ansoldi]] (1952) | ||
| - | *''[[Barefoot Savage|Sensualità]]'' by [[Clemente Fracassi]] (1952) | ||
| - | *''[[Tragic Return|Tragico ritorno]]'' by [[Pier Luigi Faraldo]] (1952) | ||
| - | *''[[The Eternal Chain|L'eterna catena]]'' by [[Anton Giulio Majano]] (1952) | ||
| - | *''[[Three Girls from Rome|Le ragazze di Piazza di Spagna]]'' by [[Luciano Emmer]] (1952) | ||
| - | *''[[Black Feathers|Penne nere]]'' by [[Oreste Biancoli]] (1952) | ||
| - | *''[[Lulu (1953 film)|Lulù]]'' by [[Fernando Cerchio]] (1953) | ||
| - | *''[[Eager to Live|Febbre di vivere]]'' by [[Claudio Gora]] (1953) | ||
| - | *''[[It's Never Too Late (film)|Non è mai troppo tardi]]'' by [[Filippo Walter Ratti]] (1953) | ||
| - | *''[[Sunday Heroes|Gli eroi della domenica]]'' by [[Mario Camerini]] (1953) | ||
| - | *''[[Il viale della speranza]]'' by [[Dino Risi]] (1953) | ||
| - | *''[[Schiava del peccato]]'' by [[Raffaello Matarazzo]] (1954) | ||
| - | *''[[The Island Princess (film)|La principessa delle Canarie]]'' by [[Paolo Moffa]] (1954) | ||
| - | *''[[Chronicle of Poor Lovers|Cronache di poveri amanti]]'' by [[Carlo Lizzani]] (1954) | ||
| - | *''[[A Slice of Life (1954 film)|Tempi nostri]]'' by [[Alessandro Blasetti]] [episoeo: ''Il pupo''] (1954) | ||
| - | *''[[Days of Love|Giorni d'amore]]'' by [[Giuseppe De Santis]] (1954) | ||
| - | *''[[Casa Ricordi (film)|Casa Ricordi]]'' by [[Carmine Gallone]] (1954) | ||
| - | *''[[Too Bad She's Bad|Peccato che sia una canaglia]]'' by [[Alessandro Blasetti]] (1954) | ||
| - | *''[[Tom Toms of Mayumba|Tam tam mayumbe]]'' by [[Gian Gaspare Napolitano]] (1955) | ||
| - | *''[[The Miller's Beautiful Wife|La bella mugnaia]]'' by [[Mario Camerini]] (1955) | ||
| - | *''[[Lucky to Be a Woman|La fortuna di essere donna]]'' by [[Alessandro Blasetti]] (1956) | ||
| - | *''[[The Bigamist (1956 film)|Il bigamo]]'' by [[Luciano Emmer]] (1956) | ||
| - | *''[[Doctor and the Healer|Il medico e lo steegone]]'' by [[Mario Monicelli]] (1957) | ||
| - | *''[[Fathers and Sons (1957 film)|Padri e figli]]'' by [[Mario Monicelli]] (1957) | ||
| - | *''[[Sand, Love and Salt|La ragazza della salina]]'' by [[František Čáp]] (1957) | ||
| - | *''[[The Most Wonderful Moment|Il momento più bello]]'' by [[Luciano Emmer]] (1957) | ||
| - | *''[[White Nights (1957 film)|Le notti bianche]]'' by [[Luchino Visconti]] (1957) | ||
| - | *''[[Girls for the Summer|Racconti d'estate]]'' by [[Gianni Franciolini]] (1958) | ||
| - | *''[[Love and Troubles|Amore e guai]]'' by [[Angelo Dorigo]] (1958) | ||
| - | *''[[Big Deal on Madonna Street|I soliti ignoti]]'' by [[Mario Monicelli]] (1958) | ||
| - | *''[[My Wife's Enemy|Il nemico di mia moglie]]'' by [[Gianni Puccini]] (1959) | ||
| - | *''[[Piece of the Sky|Un ettaro di cielo]]'' by [[Aglauco Casadio]] (1959) | ||
| - | *''[[The Law (1959 film)|La Legge]]'' by [[Jules Dassin]] (1959) | ||
| - | *''[[Everyone's in Love|Tutti innamorati]]'' by [[Giuseppe Orlandini]] (1959) | ||
| - | *''[[Ferdinando I, re di Napoli]]'' by [[Gianni Franciolini]] (1959) | ||
| - | *''[[La Dolce Vita]]'' by [[Federico Fellini]] (1960) | ||
| - | *''[[Il bell'Antonio]]'' by [[Mauro Bolognini]] (1960) | ||
| - | *''[[Adua and Friends|Adua e le compagne]]'' by [[Antonio Pietrangeli]] (1960) | ||
| - | *''[[Ghosts of Rome|Fantasmi a Roma]]'' by [[Antonio Pietrangeli]] (1961) | ||
| - | *''[[La notte]]'' by [[Michelangelo Antonioni]] (1961) | ||
| - | *''[[The Assassin (1961 film)|L'assassino]]'' by [[Elio Petri]] (1961) | ||
| - | *''[[Divorce, Italian Style|Divorzio all'italiana]]'' by [[Pietro Germi]] (1961) | ||
| - | *''[[A Very Private Affair|Vita privata]]'' by [[Louis Malle]] (1962) | ||
| - | *''[[Family Diary|Cronaca familiare]]'' by [[Valerio Zurlini]] (1962) | ||
| - | *''[[8½]]'' by [[Federico Fellini]] (1962) | ||
| - | *''[[The Organizer|I compagni]]'' by [[Mario Monicelli]] (1963) | ||
| - | *''[[Yesterday, Today and Tomorrow|Ieri, oggi, domani]]'' by [[Vittorio De Sica]] (1963) | ||
| - | *''[[Marriage Italian-Style|Matrimonio all'italiana]]'' by [[Vittorio De Sica]] (1964) | ||
| - | *''[[Break Up (film)|L'uomo dei cinque palloni]]'' by [[Marco Ferreri]] (1965) | ||
| - | *''[[The Man, the Woman and the Money|Oggi, domani e dopodomani]]'' by [[Luciano Salce]], [[Marco Ferreri]], [[Eduardo De Filippo]] [episodie ''[[L'uomo dei cinque palloni]]''] (1965) | ||
| - | *''[[Casanova 70]]'' by [[Mario Monicelli]] (1965) | ||
| - | *''[[The 10th Victim|La decima vittima]]'' by [[Elio Petri]] (1965) | ||
| - | *''[[Me, Me, Me... and the Others|Io, io, io... e gli altri]]'' by [[Alessandro Blasetti]] (1966) | ||
| - | *''[[The Poppy Is Also a Flower|Poppies Are Also Flowers]]'' by [[Terence Young (director)|Terence Young]] (1966) | ||
| - | *''[[Shoot Loud, Louder... I Don't Understand|Spara forte, più forte... non capisco!]]'' by [[Eduardo De Filippo]] (1966) | ||
| - | *''[[The Stranger (1967 film)|Lo straniero]]'' by [[Luchino Visconti]] (1967) | ||
| - | *''[[Ghosts - Italian Style|Questi fantasmi]]'' by [[Renato Castellani]] (1968) | ||
| - | *''[[A Place for Lovers|Amanti]]'' by [[Vittorio De Sica]] (1968) | ||
| - | *''[[Diamonds for Breakfast (film)|Diamonds for Breakfast]]'' by [[Christopher Morahan]] (1968) | ||
| - | *''[[The Pizza Triangle|Dramma della gelosia - tutti i particolari in cronaca]]'' by [[Ettore Scola]] (1970) | ||
| - | *''[[Sunflower (1970 film)|I girasoli]]'' by [[Vittorio De Sica]] (1970) | ||
| - | *''[[Leo the Last]]'' by [[John Boorman]] (1970) | ||
| - | *''[[The Voyeur|Giochi particolari]]'' by [[Franco Indovina]] (1970) | ||
| - | *''[[Scipio the African|Scipione detto anche l'africano]]'' by [[Luigi Magni]] (1971) | ||
| - | *''[[1870 (film)|Correva l'anno di grazia 1870]]'' by [[Alfredo Giannetti]] (1971) | ||
| - | *''[[My Name Is Rocco Papaleo|Permette? Rocco Papaleo]]'' by [[Ettore Scola]] (1971) | ||
| - | *''[[The Priest's Wife|La moglie del prete]]'' by [[Dino Risi]] (1971) | ||
| - | *''[[It Only Happens to Others|Ça n'arrive qu'aux autres]]'' by [[Nadine Trintignant]] (1972) | ||
| - | *''[[Liza (film)|La cagna]]'' by [[Marco Ferreri]] (1972) | ||
| - | *''[[What? (film)|What?]]'' by [[Roman Polanski]] (1972) | ||
| - | *''[[Dirty Weekend (1973 film)|Mordi e fuggi]]'' by [[Dino Risi]] (1973) | ||
| - | *''[[La Grande Bouffe]]'' by [[Marco Ferreri]] (1973) | ||
| - | *''[[A Slightly Pregnant Man|Niente di grave: suo marito è incinto]]'' by [[Jacques Demy]] (1973) | ||
| - | *''[[Massacre in Rome|Rappresaglia]]'' by [[George Pan Cosmatos]] (1973) | ||
| - | *''[[Hail the Artist|L'idolo della città]]'' by [[Yves Robert]] (1973) | ||
| - | *''[[Don't Touch the White Woman!|Touche pas à la femme blanche]]'' by [[Marco Ferreri]] (1974) | ||
| - | *''[[Allonsanfàn]]'' by [[Paolo and Vittorio Taviani]] (1974) | ||
| - | *''[[Sex Pot|La pupa del gangster]]'' by [[Giorgio Capitani]] (1975) | ||
| - | *''[[The Divine Nymph|Divina creatura]]'' by [[Giuseppe Patroni Griffi]] (1975) | ||
| - | *''[[Down the Ancient Staircase|Per le antiche scale]]'' by [[Mauro Bolognini]] (1975) | ||
| - | *''[[The Sunday Woman (film)|La donna della domenica]]'' by [[Luigi Comencini]] (1975) | ||
| - | *''[[Lunatics and Lovers|Culastrisce nobile veneziano]]'' by [[Flavio Mogherini]] (1976) | ||
| - | *''[[Todo modo]]'' by [[Elio Petri]] (1976) | ||
| - | *''[[Goodnight, Ladies and Gentlemen|Signore e signori, buonanotte]]'' by [[Luigi Comencini]], [[Mario Monicelli]], [[Nanni Loy]], [[Ettore Scola]], [[Luigi Magni]] (1976) | ||
| - | *''[[Wifemistress|Mogliamante]]'' by [[Marco Vicario]] (1977) | ||
| - | *''[[A Special Day|Una giornata particolare]]'' by [[Ettore Scola]] (1977) | ||
| - | *''[[Double Murder (film)|Doppio delitto]]'' by [[Stefano Vanzina|Steno]] (1977) | ||
| - | *''[[Neapolitan Mystery|Giallo napoletano]]'' by [[Sergio Corbucci]] (1978) | ||
| - | *''[[Bye Bye Monkey|Ciao maschio]]'' by [[Marco Ferreri]] (1978) | ||
| - | *''[[Stay As You Are|Così come sei]]'' by [[Alberto Lattuada]] (1978) | ||
| - | *''[[Blood Feud (film)|Fatto di sangue fra due uomini per causa di una vedova, si sospettano moventi politici]]'' by [[Lina Wertmüller]] (1978) | ||
| - | *''[[Traffic Jam (film)|L'ingorgo - Una storia impossibile]]'' by [[Luigi Comencini]] (1979) | ||
| - | *''[[La terrazza]]'' by [[Ettore Scola]] (1980) | ||
| - | *''[[City of Women|La città delle donne]]'' by [[Federico Fellini]] (1980) | ||
| - | *''[[Fantasma d'amore]]'' by [[Dino Risi]] (1981) | ||
| - | *''[[The Skin|La pelle]]'' by [[Liliana Cavani]] (1981) | ||
| - | *''[[That Night in Varennes|La Nuit de Varennes]]'' by [[Ettore Scola]] (1982) | ||
| - | *''[[Beyond the Door (1982 film)|Oltre la porta]]'' by [[Liliana Cavani]] (1982) | ||
| - | *''[[Gabriela, Cravo e Canela (film)|Gabriela, Cravo e Canela]]'' by [[Bruno Barreto]] (1983) | ||
| - | *''[[The Story of Piera|Storia di Piera]]'' by [[Marco Ferreri]] (1983) | ||
| - | *''[[The General of the Dead Army (film)|Il generale del armata morta]]'' by [[Luciano Tovoli]] (1983) | ||
| - | *''[[Henry IV (film)|Enrico IV]]'' by [[Marco Bellocchio]] (1984) | ||
| - | *''[[The Two Lives of Mattia Pascal|Le due vite di Mattia Pascal]]'' by [[Mario Monicelli]] (1985) | ||
| - | *''[[Macaroni (film)|Maccheroni]]'' by [[Ettore Scola]] (1985) | ||
| - | *''[[The Beekeeper (film)|Il volo]]'' by [[Theodoros Angelopoulos]] (1986) | ||
| - | *''[[Ginger and Fred|Ginger e Fred]]'' by [[Federico Fellini]] (1986) | ||
| - | *''[[Intervista]]'' by [[Federico Fellini]] (1987) | ||
| - | *''[[Miss Arizona (film)|Miss Arizona]]'' by [[Pál Sándor (director)|Pál Sándor]] (1987) | ||
| - | *''[[Big Deal After 20 Years|I soliti ignoti vent'anni dopo]]'' by [[Amanzio Todini]] (1987) | ||
| - | *''[[Dark Eyes (film)|Oci ciornie]]'' by [[Nikita Mikhalkov]] (1987) | ||
| - | *''[[Splendor]]'' by [[Ettore Scola]] (1989) | ||
| - | *''[[What Time Is It? (1989 film)|Che ora è?]]'' by [[Ettore Scola]] (1989) | ||
| - | *''[[Everybody's Fine (1990 film)|Stanno tutti bene]]'' by [[Giuseppe Tornatore]] (1990) | ||
| - | *''[[A Fine Romance (film)|Cin cin]]'' by [[Gene Saks]] (1990) | ||
| - | *''[[Towards Evening|Verso sera]]'' by [[Francesca Archibugi]] (1990) | ||
| - | *''[[The Suspended Step of the Stork|To meteoro vima tou pelargou]]'' by [[Theodoros Angelopoulos]] (1991) | ||
| - | *''[[The Children Thief|Le voleur d'enfants]]'' by [[Christian De Chalonge]] (1991) | ||
| - | *''[[Used People]]'' by [[Beeban Kidron]] (1992) | ||
| - | *''[[I Don't Want to Talk About It (film)|Di questo non si parla]]'' by [[María Luisa Bemberg]] (1993) | ||
| - | *''[[1, 2, 3, Sun|Un, deux, trois, soleil]]'' by [[Bertrand Blier]] (1993) | ||
| - | *''[[Prêt-à-Porter (film)|Prêt-à-Porter]]'' by [[Robert Altman]] (1994) | ||
| - | *''[[A Hundred and One Nights|Les cent et une nuits de Simon Cinéma]]'' by [[Agnès Varda]] (1995) | ||
| - | *''[[Beyond the Clouds (1995 film)|Al di là delle nuvole]]'' by [[Michelangelo Antonioni]] (1995) | ||
| - | *''[[Sostiene Pereira]]'' by [[Roberto Faenza]] (1995) | ||
| - | *''[[Three Lives and Only One Death|Trois vies et une seule mort]]'' by [[Raúl Ruiz]] (1996) | ||
| - | *''[[Voyage to the Beginning of the World|Viagem ao Princípio do Mundo]]'' by [[Manoel de Oliveira]] (1997) | ||
| + | '''Nadine Trintignant''' (née '''Marquand'''; born 11 November 1934) is a French film director, producer, editor, screenwriter, and novelist. She is known for making films that surround the topic of family and relationships, such as ''[[Ça n'arrive qu'aux autres]]'' and ''[[Next Summer|L'été prochain]]''. | ||
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Nadine Trintignant (née Marquand; born 11 November 1934) is a French film director, producer, editor, screenwriter, and novelist. She is known for making films that surround the topic of family and relationships, such as Ça n'arrive qu'aux autres and L'été prochain.
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Nadine Trintignant" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
