Mná na hÉireann  

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-"'''''Mná na hÉireann'''''" (Women of Ireland) is a poem written by [[Ulster]] poet [[Peadar Ó Doirnín]] (1704–1796), most famous as a song, and especially set to an air composed by [[Seán Ó Riada]] (1931–1971). As a modern song, ''Mná na hÉireann'' is usually placed in the category of [[Irish rebel music]]{{citation needed|date=January 2014}}; as an eighteenth-century poem it belongs to the genre (related to the ''[[aisling]]'') which imagines Ireland as a generous, beautiful woman suffering the depredations of an English master on her land, her cattle, or her self, and which demands Irishmen to defend her, or ponders why they fail to. The poem also seems to favour Ulster above the other Irish provinces. [[Peadar Ó Doirnín#Biography|Ó Doirnín]] was part of the distinctive Airgíalla tradition of poetry, associated with southern Ulster and north Leinster; in this poem he focuses on Ulster place-names, and he sees the province as being particularly assaulted (for instance, he says that being poor with his woman would be better than being rich with herds of cows and the shrill queen who assailed Tyrone, in Ulster, i.e. [[Medb]] who attacked [[Cooley Peninsula|Cooley]], as the borderlands of Ulster, which would have lain in ancient Airgíalla). This may be because, besides being the poet's home, until the success of the [[Plantation of Ulster]] the province had been the most militantly Gaelic of the Irish provinces in the sixteenth and seventeenth centuries.+"'''''Mná na hÉireann'''''" (Women of Ireland) is a poem written by [[Ulster]] poet [[Peadar Ó Doirnín]] (1704–1796), best-known as a song set to a melody composed by [[Seán Ó Riada]] (1931–1971), arranged by [[Paddy Moloney]] and performed by [[The Chieftains]] featured in the film ''[[Barry Lyndon]]'' (1975).
 +As a modern song, ''Mná na hÉireann'' is usually placed in the category of [[Irish rebel music]]; as an eighteenth-century poem it belongs to the genre (related to the ''[[aisling]]'') which imagines Ireland as a generous, beautiful woman suffering the depredations of an English master on her land, her cattle, or her self, and which demands Irishmen to defend her, or ponders why they fail to. The poem also seems to favour Ulster above the other Irish provinces. [[Peadar Ó Doirnín#Biography|Ó Doirnín]] was part of the distinctive Airgíalla tradition of poetry, associated with southern Ulster and north Leinster; in this poem he focuses on Ulster place-names, and he sees the province as being particularly assaulted (for instance, he says that being poor with his woman would be better than being rich with herds of cows and the shrill queen who assailed Tyrone, in Ulster, i.e. [[Medb]] who attacked [[Cooley Peninsula|Cooley]], as the borderlands of Ulster, which would have lain in ancient Airgíalla). This may be because, besides being the poet's home, until the success of the [[Plantation of Ulster]] the province had been the most militantly Gaelic of the Irish provinces in the sixteenth and seventeenth centuries.
-"[[Women of Ireland]]" is a [[Folk music of Ireland|Irish folk music]] song by [[Seán Ó Riada]] arranged by [[Paddy Moloney]] and performed by [[The Chieftains]] featured in the film ''[[Barry Lyndon]]'' (1975).+==See also==
- +*[[Folk music of Ireland|Irish folk music]]
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"Mná na hÉireann" (Women of Ireland) is a poem written by Ulster poet Peadar Ó Doirnín (1704–1796), best-known as a song set to a melody composed by Seán Ó Riada (1931–1971), arranged by Paddy Moloney and performed by The Chieftains featured in the film Barry Lyndon (1975).

As a modern song, Mná na hÉireann is usually placed in the category of Irish rebel music; as an eighteenth-century poem it belongs to the genre (related to the aisling) which imagines Ireland as a generous, beautiful woman suffering the depredations of an English master on her land, her cattle, or her self, and which demands Irishmen to defend her, or ponders why they fail to. The poem also seems to favour Ulster above the other Irish provinces. Ó Doirnín was part of the distinctive Airgíalla tradition of poetry, associated with southern Ulster and north Leinster; in this poem he focuses on Ulster place-names, and he sees the province as being particularly assaulted (for instance, he says that being poor with his woman would be better than being rich with herds of cows and the shrill queen who assailed Tyrone, in Ulster, i.e. Medb who attacked Cooley, as the borderlands of Ulster, which would have lain in ancient Airgíalla). This may be because, besides being the poet's home, until the success of the Plantation of Ulster the province had been the most militantly Gaelic of the Irish provinces in the sixteenth and seventeenth centuries.

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